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A groundbreaking study of the extraordinary photographers, writers, printmakers, and publishers who formed a flourishing modernist community in Kentucky Dozens of American cities witnessed the founding of camera clubs in the first half of the 20th century, though few boasted as many accomplished artists as the one based in Lexington, Kentucky. This pioneering book provides the most absorbing account to date of the Lexington Camera Club, an under-studied group of artists whose ranks included Ralph Eugene Meatyard, Van Deren Coke, Robert C. May, James Baker Hall, and Cranston Ritchie. These and other members of the Lexington Camera Club explored the craft and expressive potential of photograph...
In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history
"A collection of solicited and selected texts that address the philosophical and practical issues that affect art-making and the marketplace"--P. [4] of cover.
Rock Art of Kentucky is the first comprehensive documentation of the fragile remnants of Kentucky's prehistoric Native American rock art sites. Found in twenty-two of Kentucky's counties, these sites pan a period of more than three thousand years. The most frequent design elements in Kentucky rock art are engravings of the footprints of birds, quadrupeds, and humans. Other design elements include anthropomorphs, mammals, birds, reptiles, fish, and abstract and geometric figures. Included in the book are stunning illustrations of the sixty confirmed sites and ten destroyed or questionable sites. In the thirty some years during which this information was collected, there has been an alarming d...
A collection of thrilling verse, including both new poems and beloved favourites, from the celebrated poet, modern cult icon, and author of nineteen books including Chelsea Girls. Eileen Myles' work is known for its blend of reality and fiction, the sublime and the ephemeral. At once intimate and open-hearted, their poems are a raw, complex and compelling diary of postmodern life and invite readers into astonishing new considerations of familiar settings, from the beginnings and ends of love and the imperatives of sexual desire, to the daily wonder of a poet's life in New York City and beyond - into lush-and sometimes horrible-dream worlds, imbuing the landscapes of their writing with the vividness and energy of fantasy. I Must Be Living Twice brings together selections from the poet's previous work with a set of bold new poems that reflect Myles's sardonic, unapologetic, and freewheeling literary voice. Steeped in the culture of New York City, I Must Be Living Twice is a prism refracting a radical world and a compelling life.
Over the past eight years, Lori Nix (born 1969) has created meticulously detailed model environments and then photographed them--locations within a fictional city that celebrate modern culture, knowledge and innovation. But her monuments of civilization are abandoned, in a state of ruin where nature has begun to repopulate the spaces. "I am fascinated, maybe even a little obsessed, with the idea of the apocalypse. In addition to my childhood experiences growing up with natural disasters in Kansas, I also watched disaster flicks in the 1970s. Each of these experiences has greatly influenced my photographic work." Nix considers herself a "faux landscape photographer" and spends months building the complex spaces before photographing them. As critic Sidney Lawrence wrote in Art in America: "Oddly endearing, terrifying and often electrifyingly plausible, [Nix's tableaux] prod us to ponder the fact that, like it or not, our fate is uncertain."
An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.
An annotated index and general orientation of Islamic art collections in museums, libraries, other institutions and on private hands. Includes a short description of each collection, its main characteristics, documentation, publications and exhibitions.
A retrospective appreciation of Rudy Pozzatti's career as an internationally distinguished graphic artist.