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Art and Ocean Objects of Early Modern Eurasia
During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells' shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
Material Imagination
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns Explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made Demonstrates how materials can be harnessed to affect the critical interpretation of artwork Brings together exceptional illustrations and new research in eight essays by art historians and scholars
Art, Science, and the Body in Early Romanticism
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
Sounding the Depths
Theologians and artists reflect here, in a series of essays, on how theology and the arts can be mutually enriching and beneficial. The contributors argue that it is part of theology's "calling" to engage with culture, particularly the arts, and that it is not in fact "true" theology unless it does so. The essays cover such topics as drama, cathedral art, poetry and music; the contributors include Tom Wright, Rowan Williams and David Ford.
Handbook of Sustainable Development
This timely and important Handbook takes stock of progress made in our understanding of what sustainable development actually is and how it can be measured and achieved.ø
London Art Worlds
The essays in this collection explore the extraordinarily rich networks of international artists and art practices that emerged in and around London during the 1960s and ’70s, a period that saw an explosion of new media and fresh attitudes and approaches to making and thinking about art. The contributors to London Art Worlds examine the many activities and movements that existed alongside more established institutions in this period, from the rise of cybernetics and the founding of alternative publications to the public protests and new pedagogical models in London’s art schools. The essays explore how international artists and the rise of alternative venues, publications, and exhibition...
Inaugural Address
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The Lives of Paintings
In sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, and became involved in love affairs. Presenting a range of case studies, Elsje van Kessel offers a detailed examination of the agency paintings and other two-dimensional images could exert. This lifelike agency is not only connected to the seemingly naturalistic style of these images – works by Titian, Giorgione and their contemporaries, illustrated here in over 150 plates. It is also brought in relation to their social-historical contexts, meticulously unravelled through archival research. Grounded in the theoretical literature on the agency of material things, The Lives of Paintings contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects.
Africa in Global International Relations
Recent scholarship in International Relations (IR) has started to study the meaning and implications of a non-Western world. With this comes the need for a new paradigm of IR theory that is more global, open, inclusive, and able to capture the voices and experiences of both Western and non-Western worlds. This book investigates why Africa has been marginalised in IR discipline and theory and how this issue can be addressed in the context of the emerging Global IR paradigm. To have relevance for Africa, a new IR theory needs to be more inclusive, intellectually negotiated and holistically steeped in the African context. In this innovative volume, each author takes a critical look at existing IR paradigms and offers a unique perspective based on the African experience. Following on from Amitav Acharya and Barry Buzan’s work, Non-Western International Relations Theory, it develops and advances non-Western IR theory and the idea of Global IR. This volume will be of key interest to scholars and students of African politics, international relations, IR theory and comparative politics.
