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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent? The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
Selected Poems
In the melody that is heard all day long In the teeming city and in nature's wilderness In all these notes I have lost myself.' Honoured at a public function when he was a mere boy of eleven with the title 'Bharati' (one blessed by Saraswati the Goddess of Learning) C. Subramania Bharati (1882-1921) is renowned as the herald of the renaissance of Tamil literature. The simplicity and lyricism that marked his poetry reflect a clear shift in sensibility and craft from the classical tradition which had adhered to strictures of style, imagery and language for over 2000 years. Ranging from the fiercely patriotic and the deeply romantic to the humbling intensity of devotion and the sharp criticism of self and society, this selection brings together poems that reflect the very essence of Bharati's broad philosophy. Usha Rajagopalan's stellar translations echo the lyricism and transformative power that have lent Bharati's poetry their distinctive enduring quality.
The Zoo in My Backyard
What can you expect in a family of quirky adults, hyperactive children, and an assortment of pets? The author and her siblings shared their childhood with Kesavan, the incorrigibly curious black monkey; Judie, the nimble giant squirrel; Mini, the shy mouse deer that strayed; Psitta, the cackling parakeet; Devil, the runaway hound and many more creatures great and small. The adventures of the children and antics of their pets, together with the adults in the family make for a whole lot of fun and laughter - not just in the backyard but indoors as well.
Amrita
None
Panchali's Pledge
Honoured at a public function when he was a mere boy of eleven with the title 'Bharati' (one blessed by Saraswati, the Goddess of Learning), C. Subramania Bharati (1882-1921) is renowned as the herald of the renaissance in Tamil literature. The simplicity and lyricism that marked his poetry reflect a clear shift in sensibility and craft from the classical tradition, which had adhered to strictures of style, imagery and language for over 2000 years. Panchali's Pledge is the English translation of Bharati's seminal work, Panchali Sabadham, which reimagines the pivotal Game of Dice incident in the Mahabharata, where coerced into playing a game of dice by Duryodhana and Sakuni, Yudhisthira, the ...
Selected Poems
'In the melody that is heard all day long, In the teeming city and in nature's wilderness, In all these notes I have lost myself.' Honoured at a public function when he was a mere boy of eleven with the title 'Bharati' (one blessed by Saraswati, the Goddess of Learning), C. Subramania Bharati (1882-1921) is renowned as the herald of the renaissance in Tamil literature. The simplicity and lyricism that marked his poetry reflect a clear shift in sensibility and craft from the classical tradition, which had adhered to strictures of style, imagery and language for over 2000 years. Ranging from the fiercely patriotic and the deeply romantic, to the humbling intensity of devotion and the sharp criticism of self and society, this selectionbrings together poems that reflect the very essence of Bharati's broad philosophy. Usha Rajagopalan's translations echo the lyricism and transformative power that have lent Bharati's poetry their distinctive, enduring quality.
Amrita
Gauri's wolrd implodes on her when she learns that she is an illegitimate child, born out of her mother's liaison with Raghu. One short trip to his house is enough for Gauri to realise her illegitmacy - and her father's ignorance of it - is nowhere near the problems that Raghu's family has. Traumatised by the violent death of their mentally challenged daughter, Amrita, on the night of her sister's wedding, the story behind Amrita's death unravels as the family reaches out to Gauri, each telling their story. Why and how Amrita died is a cross they will all have to bear, even Gauri.
Kala Pani Crossings, Gender and Diaspora
This volume explores the intersections of diaspora and gender within the diasporic and Indian imagination. It investigates the ways in which race, class, caste, gender, and sexuality intersect with concepts of home, belonging, displacement and the reinvention of the nation and of self. Positioning itself as a companion to Kala Pani Crossings: Revisiting 19th century Migrations from India’s Perspective (Routledge, 2021), the present book examines whether indentureship and diasporic locations marginalised women and men or empowered them; how negotiations or resistances have been determined by race, class, caste, or ethnicity; how traditional standards of Indianness and gender relations have ...
Living Mantra
Living Mantra is an anthropology of mantra-experience among Hindu-tantric practitioners. In ancient Indian doctrine and legends, mantras perceived by rishis (seers) invoke deities and have transformative powers. Adopting a methodology that combines scholarship and practice, Mani Rao discovers a continuing tradition of visionaries (rishis/seers) and revelations in south India’s Andhra-Telangana. Both deeply researched and replete with fascinating narratives, the book reformulates the poetics of mantra-practice as it probes practical questions. Can one know if a vision is real or imagined? Is vision visual? Are deity-visions mediated by culture? If mantras are effective, what is the role of devotion? Are mantras language? Living Mantra interrogates not only theoretical questions, but also those a practitioner would ask: how does one choose a deity, for example, or what might bind one to a guru? Rao breaks fresh ground in redirecting attention to the moments that precede systematization and canon-formation, showing how authoritative sources are formed.
The Vernacular Veda
Compares the religious poem "Tiruvaymoli" alongside the "Vedas."
