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Pictorial Law
We live in a digital Media Society, in which pictures are becoming more and more important. So, human communication is increasingly becoming a visual communication. That is not a new finding. But the new question is: What does this development mean for the law? Up to now the law is the part of the society which is most sceptical towards images. Law has still resisted the visual temptation. This will not last for ever. The rush of pictures in everyday life and in every part of the society is much too strong - and it is even getting stronger. The invasion of images will change the character of modern law deeply. Modern law will become a Pictorial Law.What are the chances and the risks of Pictorial Law and visual law communication? This is the topic of the book.
Benzin
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Bildsampling
Sieben AutorInnen aus Design, Kunstgeschichte, Film und Illustration beleuchten individuelle und generelle Aspekte der mehrfachen Verwendung von Bildern. Sie fokussieren insbesondere auf die Konsequenzen, die für Bildhersteller und -gestalter aus der praktischen Wiederverwendung entstehen.
Flush!
Built for comfort: unconventional solutions in toilet room design today. Avant-garde designed toilets are calling cards for restaurants, clubs and business companies a?? a manifestation of corporate culture and expression of respect towards customers and employees. Todaya??s toilets are no longer nondescript, uninviting places. They are restrooms, somewhere to relax; they facilitate communication and possess event character. Flush! is a book for interior architects and designers, sanitary consultancies, club-owners, restaurateurs and people in the catering business, and design enthusiasts with more than a mere passing interest in concepts for comfort when nature calls.
Mind the Gap: The Narrative Power of Illustrations and Drawings
Drawing is not a myth, but a tool, a means of gaining knowledge and the basis for illustrative and artistic pictorial expressions How pictures can be used to tell a story, how are they made, and how the head and the hand collaborate in the creative process? Just as each image is unique, so are the individual intentions of the artists. The technical craftsmanship of HOW is as much a decisive criterion for the quality of an image as its contextual WHAT. In addition to all depiction methods, rules of design, and phenomena of perception, a number of additional factors are important in making convincingly narrated images. This book invites readers to question the world with alert eyes, to discard conventions and to open up to other ways of thinking and new ways of seeing and approaching things: to dare to be playful and ready for any kind of experiment, to ultimately throw all rules overboard in order to find their very own artistic individuality. The author's approach is not so much a step-by-step instruction with template-like schemes, instead it focuses on the intrinsic logic of things, their connections and relations, and the link between presentation and design.
Stolpersteine
Dieser Band fasst Positionen aus Kunst, Design, Fotografie und Illustration zusammen und zeigt, dass interessante und eine Epoche beeinflussende Bilder und Bildkonzeptionen immer wieder quer zu aktuellen Trends liegen, ohne völlig konträren Gestaltungsauffassungen zu folgen.
Bilder lesen lernen
Die Autoren setzen sich mit der Rezeption von Bildern auseinander. Die Leitfragen sind, welche Vorstellungen Bildgestalter von den Betrachtern entwickeln müssen und wie sich hierdurch die Bilder verändern.
ABM
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Thomasin von Zerclaere: 'Der Welsche Gast' - Malende Sprache und sprechende Bilder
Magisterarbeit aus dem Jahr 2008 im Fachbereich Germanistik - ltere Deutsche Literatur, Medi vistik, Note: 1,5, Heinrich-Heine-Universit t D sseldorf (Philosophische Fakult t ), 22 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: In der heutigen Zeit m ssen Bilder mehr denn je als allein stehendes, autonomes Kommunikationsmittel verstanden werden. Betrachtet man die moderne europ ische Medienlandschaft, so lassen sich diverse journalistische Erzeugnisse aus dem Bereich der Printmedien auff hren, in denen der Text als urspr ngliches Medium der Informationsvermittlung in den Hintergrund tritt. Seine im Ursprung der Zeitung meist Seiten f llende Position wird, zumindest im Bereich d...
BilderRecht
Wir leben im Zeitalter der Bilder. Bilder sind in der modernen Welt allgegenwärtig. Dazu muss man nicht fernsehen, Zeitung lesen oder im Internet surfen. Kaum ein Bereich der Gesellschaft kommt ohne Visualisierungen und visuelle Kommuni- tionen aus. Das Bild ist dabei, die Schrift als kulturelles Leitmedium abzulösen. Welche Auswirkungen hat das? Die Flut der Bilder ändert alles – die Wahrnehmung, das Denken und das Kom- nizieren. Denn Bilder werden schon neurobiologisch ganz anders wahrgenommen und verarbeitet als Worte und Texte. Bilder wirken – um nur einige Eigenschaften zu nennen – viel schneller als Worte, sie sind viel emotionaler und konkreter. Wer es gewohnt ist, mit Texten...
