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Charles Dickens's Hard Times
Hard Times is Dickens’s shortest novel. Some early critics argued that it lacked the genius of the characterisation and humour that mark his greatest works. One of the 20th century’s leading critics, F.R. Leavis, believes, on the contrary, that Hard Times is Dickens’s sole contribution to the great tradition of the English novel, displaying a moral seriousness lacking elsewhere in his more entertaining work: “It has a kind of perfection as a work of art that we don’t associate with Dickens – a perfection that is one with the sustained and complete seriousness for which among his productions it is unique.” Nowadays, if not Dickens’s most readable book, it is certainly one of h...
Legacies of Romanticism
Taking into account key movements, such as late 19th century aestheticism, early 20th century Modernism, postmodernism and post-colonialism, the book shows how these developments were not only informed by Romanticism, but also revealed it to be a more plural and less stable concept.
Ethical Rationalism and Secularisation in the British Enlightenment
This book reassesses the ethics of reason in the Age of the Reason, making use of the neglected category of conscience. Arguing that conscience was a central feature of British Enlightenment ethical rationalism, the book explores the links between Enlightenment philosophy and modern secularisation, while responding to longstanding criticisms of rational intuitionism and the analogy between mathematics and morals, derived from David Hume and Immanuel Kant. Questioning in what sense British Enlightenment ethical rationalism can be associated with a secularising ‘Enlightenment project’, Daniel investigates the extent to which contemporary, and secular liberal, invocations of reason and cons...
William Hazlitt
William Hazlitt is regarded as the finest prose stylist of the English Romantic period, by virtue of his work as an essayist, metaphysician, and a critic of literature and the fine arts. William Hazlitt: Political Essayist makes the case for including politics in this achievement.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840
Offering cultural, historical and literary readings of the responses to Italian Old Master art by early nineteenth-century writers, McCue illuminates the important role these artworks played in shaping the themes that are central to our understanding of Romanticism. She argues that they informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities.
The Visual Life of Romantic Theater, 1780-1830
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
William Hazlitt
Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt's livelihoo was dependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot. Duncan Wu's profi...
Reading, Writing, and Romanticism
Lucy Newlyn makes an important contribution to current debates about reading, audiences and publishing in the Romantic period, while also exploring the competitive/collaborative relationship between creativity and criticism. understood in Romantic poetry and criticism. Non-canonical writers are included, and special attention is given to the emergence of women's poetry.
Tact
The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one’s way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot,...
Animality in British Romanticism
The scientific, political, and industrial revolutions of the Romantic period transformed the status of humans and redefined the concept of species. This book examines literary representations of human and non-human animality in British Romanticism. The book’s novel approach focuses on the role of aesthetic taste in the Romantic understanding of the animal. Concentrating on the discourses of the sublime, the beautiful, and the ugly, Heymans argues that the Romantics’ aesthetic views of animality influenced—and were influenced by—their moral, scientific, political, and theological judgment. The study reveals how feelings of environmental alienation and disgust played a positive moral r...
