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The monster at the heart of a cult 90s cursed horror film tells his shocking and bloody secret history. Slow burn terror meets high-stakes showdowns, from the bestselling author of A Head Full of Ghosts and The Cabin at the End of the World. Summer, 1993 – a group of young guerrilla filmmakers spend four weeks making Horror Movie, a notorious, disturbing, art-house horror film. Steeped in mystery and tragedy, the film has taken on a mythic, cult renown, despite only three of the original scenes ever being released to the public. Decades later, a big budget reboot is in the works, and Hollywood turns to the only surviving cast member – the man who played 'the Thin Kid', the masked teen at...
Melbourne Private Investigator, Sandi Kent, has her hopes for an easy December dashed when two complicated cases crash into her lap. Sandi is hired by her volatile ex-girlfriend to rescue a young South Korean woman from an illegal brothel. And then - in a curiously parallel case - is engaged by a lawyer friend seeking defence angles for a Colombian immigrant charged with murdering a sex worker. As Sandi juggles the demands of her clients, she becomes embroiled in the city's seamy underworld of human trafficking, drugs and murder. And soon more lives, including her own, are at risk.
International Studies Association Theory Section Best Book Award In Writing the New World, Mauro Caraccioli examines the natural history writings of early Spanish missionaries, using these texts to argue that colonial Latin America was fundamental in the development of modern political thought. Revealing their narrative context, religious ideals, and political implications, Caraccioli shows how these sixteenth-century works promoted a distinct genre of philosophical wonder in service of an emerging colonial social order. Caraccioli discusses narrative techniques employed by well-known figures such as Gonzalo Fernández de Oviedo and Bartolomé de Las Casas as well as less-studied authors inc...
Visual Sphere as an object of sociological enquiry must be understood in terms of its complex interconnections with social relations, within which visual materials and visual knowledge are produced, circulated and consumed. This book aims to build a bridge between scholars in practice-based visual research, visual methodologists and researchers dealing with conceptual issues in visual sociology. Questions addressed by this text include: How is the visual relationship of the urban dwellers to the urban landscape being established? How are images of conflict being disseminated, what are the politics of their dissemination, and what limits and potential do they carry? What are the paradoxes of the phenomenon of iconoclasm? How can we visually access the phenomenon of urbanization? What are the major challenges for visual researchers using photo-elicitation interviews, focus groups or computer-based methods?
MEXICO CITY, with some 20 million inhabitants, is the largest city in the Western Hemisphere. Enormous growth, raging crime, and tumultuous politics have also made it one of the most feared and misunderstood. Yet in the past decade, the city has become a hot spot for international business, fashion, and art, and a magnet for thrill-seeking expats from around the world. In 2002, Daniel Hernandez traveled to Mexico City, searching for his cultural roots. He encountered a city both chaotic and intoxicating, both underdeveloped and hypermodern. In 2007, after quitting a job, he moved back. With vivid, intimate storytelling, Hernandez visits slums populated by ex-punks; glittering, drug-fueled fa...
Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007
'A triumphant memoir' Cathy Park Hong, author of MINOR FEELINGS, finalist for the Pulitzer Prize The highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwide With insight, humour, formal invention, and lyricism, in A Man of Two Faces Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son. At the age of four, Nguyen and his famil...
City dwellers are direct agents in the making of cities; yet how do they actually constitute and sustain the urban and its forms? How do they practice the urban and through this practice shape the city-in-the-making that emerges along with them on the backs of their working bodies? Dwelling Urbanism re-thinks the urban from this perspective of corporeal making and with regard to the cityness that it bears. It delves into the thick of life in the periphery of Mexico City, uncovering the everyday actions and efforts that practitioners of space accomplish when building houses, creating jobs and putting themselves to work as infrastructure. How are consequential conjunctions, how is access to, and presence in the city actively grown? And what does such thinking the city as a verb, as citying, imply for urban planning?
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