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The updated edition of Alex Bellos's modern classic about Brazilian football, published to coincide with the 2014 World Cup
The massacre of Canudos In 1897 is a pivotal episode in Brazilian social history. Looking at the event through the eyes of the inhabitants, Levine challenges traditional interpretations and gives weight to the fact that most of the Canudenses were of mixed-raced descent and were thus perceived as opponents to progress and civilization. In 1897 Brazilian military forces destroyed the millenarian settlement of Canudos, murdering as many as 35,000 pious rural folk who had taken refuge in the remote northeast backlands of Brazil. Fictionalized in Mario Vargas Llosa's acclaimed novel, War at the End of the World, Canudos is a pivotal episode in Brazilian social history. When looked at through the...
Spirits of the Space Age details the historical emergence of The Valley of the Dawn, a highly eclectic new religious movement known for its spectacular material culture and all-encompassing aesthetics. Drawing on extensive ethnographic fieldwork, Kelly E. Hayes offers a narrative portrait of a new religious movement as seen in and through the lives of its founder Aunt Neiva, her most important collaborators, and contemporary adherents.
This book presents the history and theoretical contributions of Brazilian geography since the late twentieth century and shows how this sphere of knowledge has been organically integrated with social and territorial issues and with social movements. The relationship between the subjects and objects of research in Brazilian geography has been centred on the understanding and transformation of realities marked by injustice and inequality. Against this backdrop, the geography of the country has developed by integrating, relating to, and forming part of those realities as it headed out into the streets. Brazilian geography continues to hold theoretical debate in high regard as a result of the influence of critical theory. This book thus covers the theoretical approaches in Brazilian geography, its different lines of research, and above all its character as manifested in culture and society.
Intimate Frontiers: A Literary Geography of the Amazon analyzes the ways in which the Amazon has been represented in twentieth century cultural production. With contributions by scholars working in Latin America, the US and Europe, Intimate Frontiers reads against the grain commonly held notions about the region —its gigantism, its richness, its exceptionality, among other— choosing to approach these rather from quotidian, everyday experiences of a more intimate nature. The multinational, pluriethnic corpus of texts critically examined here, explores a wide range of cultural artifacts including travelogues, diaries, and novels about the rubber boom genocide, as well as indigenous oral histories, documentary films, and photography about the region. The different voices gathered in this book show that the richness of the Amazon lays not in its natural resources or opportunities for economic exploit, but in the richness of its histories/stories in the form of songs, oral histories, images, material culture, and texts.
This book reconstructs the world of eighteenth-century Amazonia to argue that indigenous mobility did not undermine settlement or community. In doing so, it revises longstanding views of native Amazonians as perpetual wanderers, lacking attachment to place and likely to flee at the slightest provocation. Instead, native Amazonians used traditional as well as new, colonial forms of spatial mobility to build enduring communities under the constraints of Portuguese colonialism. Canoeing and trekking through the interior to collect forest products or to contact independent native groups, Indians expanded their social networks, found economic opportunities, and brought new people and resources ba...
A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
A “compelling and elegantly written” history of the fight for the Amazon basin and the work of a brilliant but overlooked Brazilian intellectual (Times Literary Supplement, UK). The fortunes of the late nineteenth century’s imperial powers depended on a single raw material—rubber—with only one source: the Amazon basin. This scenario ignited a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest’s riches. In the midst of this struggle, the Brazilian author and geographer Euclides da Cunha led a survey expedition to the farthest reaches of the river. The Scramble for th...
Aqui está um livro esplêndido, uma efetiva reunião de informações do mistério que é a cidade de Manaus e a sua formação urbana. É daqueles livros que podem ser definidos como simples guias e que acabam transcendendo as limitações do gênero. Em Manaus – entre o passado e o presente, o autor Durango Duarte, publicitário conhecido na Cidade, embora tenha se contentado em reunir num só volume um conjunto rico de informações históricas sobre a capital amazonense, escreveu um livro que acaba por se tornar bem mais abrangente e rico, tanto podendo ser lido como um repositório de fatos, quanto como uma explosão de indignação política. E está escrito ...
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.