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Faces in the Crowd
In the heart of Mexico City a woman, trapped in a house and a marriage she can neither fully inhabit nor abandon, thinks about her past.She has decided to write a novel about her days at a publishing house in New York; about the strangers who became lovers and the poets and ghosts who once lived in her neighbourhood. In particular, one of the obsessions of her youth - Gilberto Owen - an obscure Mexican poet of the 1920s, a marginal figure of the Harlem Renaissance, a busker on Manhattan's subway platforms, a friend and an enemy of Federico Garca Lorca. As she writes, Gilberto Owen comes to life on the page: a solitary, faceless man living on the edges of Harlem's writing and drinking circles at the beginning of the Great Depression, haunted by the ghostly image of a woman travelling on the New York subway. Mutually distorting mirrors, their two lives connect across the decades between them, forming a single elegy of love and loss.
Lost Children Archive
WINNER OF THE DUBLIN LITERARY AWARD AND THE RATHBONES FOLIO PRIZE LONGLISTED FOR THE BOOKER PRIZE AND THE WOMEN’S PRIZE The moving, powerful and urgent English-language debut from one of the brightest young stars in world literature
Sidewalks
Evocative, erudite and consistently surprising, these narrative essays explore the places - real and imagined - that shape our lives. Whether wandering the familiar streets of her neighbourhood, revisiting the landmarks of her past, or getting lost in a foreign city, Valeria Luiselli plots a unique and exhilarating course that traces unexpected pathways between diverse ideas and reveals the world from a fresh perspective. Here, we follow Luiselli as she cycles around Mexico City, shares a cigarette with the night porter in her Harlem apartment, and hunts down a poet's tomb in Venice. Each location sparks Luiselli's nimble curiosity and prompts imaginative reflections and inventions on topics as varied as the fluidity of identity, the elusiveness of words that can't be translated, the competing methods of arranging a bookcase, and the way that city-dwellers evade eye-contact with their neighbours while spying on their lives. Sidewalks cements Luiselli's reputation as one of Latin America's most original, smart and exciting new literary voices.
The Story of My Teeth
Gustavo 'Highway' Snchez is a man with a mission: he is planning to replace every last one of his unsightly teeth. He has a few skills that might help him on his way: he can imitate Janis Joplin after two rums, he can interpret Chinese fortune cookies, he can stand an egg upright on a table, and he can float on his back. And, of course, he is the world's best auction caller - although other people might not realise this, because he is, by nature, very discreet. Studying auctioneering under Grandmaster Oklahoma and the famous country singer Leroy Van Dyke, Highway travels the world, amassing his collection of 'Collectibles' and perfecting his own specialty: the allegoric auction. In his quest for a perfect set of pearly whites, he finds unusual ways to raise the funds, culminating in the sale of the jewels of his collection: the teeth of the 'notorious infamous' - Plato, Petrarch, Chesterton, Virginia Woolf et al. Written with elegance, wit and exhilarating boldness, Valeria Luiselli takes us on an idiosyncratic and hugely enjoyable journey that offers an insightful meditation on value, worth and creation, and the points at which they overlap.
Tell Me How It Ends
"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilli...
Dark Neighbourhood
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McSweeney's Issue 65 (McSweeney's Quarterly Concern)
McSweeney's 65: Plundered spans the Americas, from a bone-strewn Peruvian desert to inland South Texas, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and, crucially, defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by acclaimed author Valeria Luiselli, with Heather Cleary, Issue 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. Including contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and more, Plundered is a panoramic portrait of a hemisphere on fire. Praise for McSweeney's Quarterly A key barometer of the literary climate.-The New York Times McSweeney's is so much more than a magazine; it's a vital part of our culture. -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition
Tell Me How it Ends: An Essay in Forty Questions
A moving, eye-opening polemic about the US-Mexico border and what happens to the tens of thousands of unaccompanied Mexican and Central American children arriving in the US without papers
Trojan Women
This new comic-book version of Euripides' classic The Trojan Women follows the fates of Hekabe, Andromache and Kassandra after Troy has been sacked and all its men killed. The Trojan Women is a wildly imaginative collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson.
Infinite Home
An utterly charming and tender story of the disparate tenants of a Brooklyn brownstone and the community they form around their ageing landlord when their home is suddenly threatened.
