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Poetry. Asian American Studies. With her second volume, Valerie Hsiung proves herself to be a poet of lyric's volatile possibility, detonating poetry's uncertain truce between reader and speaker, the deadly and the inconsequential, the profound and the profane. YOU & ME FOREVER performs a multitude of teetering voices through a multitude of tangency points--between the violence enacted against girl bodies and the violence enacted against earth, between inherited language or mother tongue and made/found language or acquired tongue, between the speaking machine and the transhuman, between the woman as artist and the woman as monster, between the horizontality of plain speech and the verticalit...
Literary Nonfiction. "In OUTSIDE VOICES, PLEASE, Hsiung orchestrates a symphony of voices past, present, and prescient: time (and with it, history) compresses and expands, yielding long poetry sequences reminiscent of Myung Mi Kim's sonic terrains and C.D. Wright's documentary poetics."--Diana Khoi Nguyen "In this shifting assemblage of verse, prose poems, scenes, performance scores, charts and maps... Hsiung's speaker emerges through clashes of language and its structures--its traumatized syntax, its colonialist dictionaries, its abusive evasions, its obfuscating corporate speak, its xenophobia and its patriarchalism, and its capacity to scorch and dazzle. Out of the urgent "confrontation o...
To Love an Artist is a book of tracing and traveling through different practices of marking time and space-from the archaeological to the choreographical, architectural, and meteorological. Through an inheritance passing down several long sequences that unravel and re-combine ecological evidences, biblical/military/technocratic narratives, bureaucratic jargon, and the crypt/crip'd of family mythology emerge curses, (mis)pronunciations, tonics, prospectings, topplings, hopscotch, prosthetics, selves nesting within selves, lathes turning upon other lathes, in a newfound extramundane of the fractal and fissure(d).
Poetry. Valerie Hsiung's powerful, fugue-like procession of words continues in her third full-length collection, EFG (EXCHANGE FLOWING AND GENE FLOW). Her words seem to prick you as pins amidst her nostalgia and floral lines that ribbon the reader into being immersed in the enthrall of her deep and varying worlds. Her dynamic switches of register and the punch of her refrains express a full range of the bizarre textures of lived experience. In this trilogy of self-examinations, explorations of poetic space, and declarative concoctions, Hsiung opens an uncommon reality. EFG's terse, erratic portrait snowballs through this and lineates and recombines into new forms in a way that wakes itself again and again.
A haunting lifeline between archive and memory, law and poetry
Paige Quiñones’s incisive debut poetry collection investigates the trauma of desire. Quiñones’s lyric world is populated with stark dualities: procreation and childlessness, predator and prey, mania and depression. A hunter pursues an ill-fated fox through the woods; heaven is paved with girls who would rather drown than be born; a couple returns from their honeymoon to find a stagnant pond in their marriage bed. Through navigating these duplicities, Quiñones arrives at a version of femininity that is at once fierce and crystalline, and unmistakably her own. She writes, “My reflection can only growl back, in water or oil-slick or silver. This is an exercise in forgiveness. I dip my feet in.” The Best Prey charts the complexity of hunger in vivid, visceral terms, and ultimately arrives at a sense of self that encompasses the contradictions of sensuality, violence, and power.
The issue of social justice has been brought to the forefront of society within recent years, and educational institutions have become an integral part of this critical conversation. Classroom settings are expected to take part in the promotion of inclusive practices and the development of culturally proficient environments that provide equal and effective education for all students regardless of race, gender, socio-economic status, and disability, as well as from all walks of life. The scope of these practices finds itself rooted in curriculum, teacher preparation, teaching practices, and pedagogy in all educational environments. Diversity within school administrations, teachers, and studen...
"Information technology shapes nearly every part of modern life, and debates about information--its meaning, effects, and applications--are central to a range of fields, from economics, technology, and politics to library science, media studies, and cultural studies. This rich, unique resource traces the history of information with an approach designed to draw connections across fields and perspectives, and provide essential context for our current age of information. Clear, accessible, and authoritative, the book opens with a series of articles that provide a narrative history of information from premodern practices to twenty-first-century information culture. This section focuses on major ...
The debut novel by acclaimed poet Lisa Robertson, in which a poet realizes she's written the works of Baudelaire. One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life. Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel. "Robertson, with feminist wit, a dash of kink, and a generous brain, has written an urtext that tenders there can be, in fact, or in fiction, no such thing. Hers is a boon for readers and writers, now and in the future."—Jennifer Krasinski, Bookforum "It’s brilliant, strange, and unlike anything I’ve read before."—Rebecca Hussey, BOOKRIOT
Literary Nonfiction. California Interest. LGBT Studies. Women's Studies. Elizabeth Hall began writing I HAVE DEVOTED MY LIFE TO THE CLITORIS in the summer of 2010 after reading Thomas Laqueur's Making Sex. She was particularly struck by Laqueur's bold assertion: "More words have been shed, I suspect, about the clitoris, than about any other organ, or at least, any organ its size." How was it possible that Hall had been reading compulsively for years and never once stumbled upon this trove of prose devoted to the clit? If Lacquer's claim was correct, where were all these "words"? And more: what did size have to do with it? Hall set out to find all that had been written about the clit past and...