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A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future. No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their dep...
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
This is the true story of how the animal liberation underground started in the US. It is a plea for the rights of animals, and an action-packed story of underground adventure.
The New York gallery American Fine Arts, Co.—whose name today is largely synonymous with that of its gallerist, Colin de Land (1955–2003)—represents a gallery practice in which a decided deviation from conventional models overlaps with successful activities within the framework of the art market. Today, American Fine Arts, Co. and de Land figure as uncontested projection screens for the desire for independence from or bohemian resistance against the dictate of the market. Particularly in retrospect, a consistent image of the gallery is not discernible. Faced with the obvious risk of romanticization, it appears all the more important to pursue an understanding of how American Fine Arts,...
Digitization is the animating force of everyday life. Rather than defining it as a technology or a medium, Contemporary Art and the Digitization of Everyday Life argues that digitization is a socio-historical process that is contributing to the erosion of democracy and an increase in political inequality, specifically along racial, ethnic, and gender lines. Taking a historical approach, Janet Kraynak finds that the seeds of these developments are paradoxically related to the ideology of digital utopianism that emerged in the late 1960s with the rise of a social model of computing, a set of beliefs furthered by the neo-liberal tech ideology in the 1990s, and the popularization of networked computing. The result of this ongoing cultural worldview, which dovetails with the principles of progressive artistic strategies of the past, is a critical blindness in art historical discourse that ultimately compromises art’s historically important role in furthering radical democratic aims.
How the approaches and methods of think tanks—including systems theory, operational research, and cybernetics—paved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks—including systems theory, operations research, and cybernetics—paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics ...
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A Philosophical Journey into the Anthropocene: Discovering Terra Incognita presents the Anthropocene not only as a geological epoch, but rather as the potential métarécit of our age and the most faithful expression of the current zeitgeist. Insofar as the Anthropocene establishes that the human agency as technological omni-power represents a “global geophysical force” capable of altering the destiny of the Earth system, the coming of this new epoch shows that technology now embodies the subject of both history and nature. In this totalized form, technology achieves the status of an integral epochal phenomenon: the new environment for human life. Agostino Cera argues that the “technis...
The shattering account of one woman's struggle against the forces supporting the abuse of animals, Free the Animals is the best-selling and action-packed story of underground adventure, as well as an eloquent plea for the rights of nonhuman animals. Free the Animals, with an introduction by Chrissie Hynde, is the story of Valerie, a twenty-three-year-old police officer in Montgomery County, Maryland, whose world was turned upside down when she learned about the abuses of animals in laboratories. The book describes how this law-abiding woman came to challenge the system by taking direct action and examines why ordinary people are moved to do extraordinary things on behalf of animals.