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Public Memory and the Television Series Outlander
Using rhetorical criticism as a research method, Public Memory and the Television Series Outlander examines how public memory is created in the first four seasons of the popular television show Outlander. In this book, Valerie Lynn Schrader discusses the connections between documented history and the series, noting where Outlander's depiction of events aligns with documented history and where it does not, as well as how public memory is created through the use of music, language, directorial and performance choices, and mise-en-scéne elements like filming location, props, and costumes. Schrader also explores the impact that Outlander has had on Scottish tourism (known as the “Outlander effect”) and reflects on whether other filming locations or depicted locations may experience a similar effect as Outlander’s settings move from Scotland to other areas of the world. Furthermore, Schrader suggests that the creation of public memory through the television series encourages audiences to learn about history and reflect on current issues that are brought to light through that public memory.
The Anachronistic Turn
The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties. Drawing together a wide range of texts across all forms of historical fiction - novels, dramas, musicals, films and television - this book re-frames anachronism not as an error, but as a deliberate strategy that emphasises the...
Rhetorical Criticism
Covering a broad range of rhetorical perspectives, Rhetorical Criticism: Perspectives in Action, third edition presents a well-grounded introduction to the basics of rhetorical criticism and theory in an accessible manner for advanced undergraduate courses and introductory graduate courses. Throughout the text, sample essays written by noted experts in the field provide students with models for writing their own criticisms. In addition to covering traditional modes of rhetorical criticism, the book introduces less commonly discussed rhetorical perspectives as well as orientations toward performing criticisms including close-textual analysis, critical approaches, and analysis of visual and digital rhetoric. The third edition includes the following features: New chapters on visual rhetoric and digital rhetoric Potentials and Pitfalls sections analyzing individual perspectives Activities and discussion questions in each chapter Glossary of important terms
What Would A Wicked Witch Do?
Pick a side and wear your hat with pride Whether your favourite is Elphaba or Glinda, both of these iconic witches have plenty of life lessons to share. This is a book of two halves - just as there are two sides to every story - that invites you to pick a side and let your true self shine. Learn how to charm every area of your life with quotes, illustrations, self-care spells and practical tips that impart the simple philosophy of The Wicked Witch of The West or flip the book up side down to embrace the wisdom of Glinda the Good.
The Revolutionary Rhetoric of Hamilton
This scholarly exploration of Hamilton encourages audiences to interpret this popular culture force in a new way by revealing that the musical confronts conventional perceptions of American history, racial equity, and political power. Contributors explore the ways in which the musical offers social commentary on issues such as immigration and gender equity, as well as how Hamilton re-considers the roles of theatre in making social statements, especially relating to the narrator, the curtain speech, and musical traditions. Several chapters directly address recent controversies and conversations surrounding Hamilton, including the #CancelHamilton trend on social media, the musical's depiction of slavery, and its intersections with the Black Lives Matter movement. Employing multiple novel theoretical approaches and perspectives—including public memory, feminist rhetorical criticism, disability studies, and sound studies— The Revolutionary Rhetoric of Hamilton reveals new insights about this beloved show for scholars of theatre studies, media studies, communication studies, and fans alike.
I Want to Do Bad Things: Modern Interpretations of Evil
This volume was first published by Inter-Disciplinary Press in 2014. Far from the confines of black and white, evil today is an often complex and ever-evolving concept which can be found in all facets of life. This book offers a collection of views on the concepts of evil and wickedness from a variety of subjects, helping to show the range and scope of this universal concept. Chapters begin by exploring the concept of evil from a philosophical perspective, attempting to question the very nature of evil itself and what issues help to constitute the subject. They continue by discussing evil as it relates to monetary value in terms of capitalism, politics, and binary code. The last two sections focus on evil through the lens of literature and film, touching upon a wide range of characters from the villain-hero of the Elizabethan era to the modern day antihero featured in twenty-first century film.
Singing Utopia
Singing Utopia is an original study of voice in musical theatre. Rather than focusing on how actors sing or analysing voices using established approaches found in opera studies, this book offers readers ways to understand musical theatre voices from a cultural perspective. It argues that musical theatre singing allows listeners and audiences to escape their everyday lives; and that voices can 'be' utopian. It then considers what this means and uncovers some paradoxes and difficulties in this idea. Introducing a new set of terms, it provides a way to listen to, think about, and even perform, voice in popular musical theatre.
Paul Schrader
A searing study of an important American writer-director
The Hamilton Phenomenon
'The Hamilton Phenomenon' brings together a diverse group of scholars including university professors and librarians, educators at community colleges, Ph.D. candidates and independent scholars, in an exploration of the celebrated Broadway hit. When Lin-Manuel Miranda’s musical sensation erupted onto Broadway in 2015, scholars were underprepared for the impact the theatrical experience would have. Miranda’s use of rap, hip-hop, jazz, and Broadway show tunes provides the basis for this whirlwind showcase of America’s past through a reinterpretation of eighteenth-century history. Bound together by their shared interest in 'Hamilton: an American Musical', the authors in this volume diverge...
