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F.H. Varley
Catalogue of an exhibition held at the Varley Art Gallery of Markham, Ont., May 25-Sept. 3, 2007 and other places.
Art Et Architecture Au Canada
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Policy Matters
"In this book Clive Robertson examines the subject of arts administration through the three major topics of 'artist-run culture as movement and apparatus', 'custody battles with/at the Canada Council' and Carings for art and culture'. Includes interviews with Paule Leduc, Roch Carrier, Edythe Goodriche, and Bruce Russell." -- From Art Metropole website (viewed 23 May 2018).
American Art Annual
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Harold Mortimer-Lamb
Harold Mortimer-Lamb's name is in the index of almost every book written on the history of Canadian art, yet his place in that world has never been clear. Photographer, writer, painter, promoter--he was a man of many parts and the ideal patron and friend to some of Canada's most famous artists, including A.Y. Jackson, Emily Carr, and Jack Shadbolt. At the centre of his story are his relationships with painter Frederick Varley and young student Vera Weatherbie, whom Mortimer-Lamb, at the age of seventy, eventually married, when she was just thirty. Profusely illustrated with his photos, paintings, and the art he collected, Harold Mortimer-Lamb: The Art Lover brings into focus an unknown chapter in Canadian art history.
Society of Six
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they asp...
Associations Canada
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