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Challenging Separate Spheres
This collection of essays centers on women writers who negotiated, interrogated, and challenged the gender ideology of separate spheres through their advocacy and representations of female Bildung. The term Bildung encompasses an individual's entire moral, spiritual, behavioral, emotional, political and intellectual development. The contributors analyze works of fiction, memoirs, autobiographies, letters, the periodical press, and conduct and cookbooks from the mid-1700s to circa 1900 that confront the separate spheres paradigm and promote women's educational and personal development. They examine women's writing and reading practices, moral and gender philosophies, political activism, and w...
Drama and "Ideenschmuggel"
This monograph details Gutzkow's recurring use of performance-within-the-play as a means of encouraging an active, political response by the audience. He incorporates an internal audience viewing a performance on stage in order to model an ideal of dramatic reception for the audiences of his own play. Gutzkow structures the narrative contextualization of these performances as reflections of specific issues in the German states of the Vormärz. Beginning with an overview of theoretical and literary texts from the 1830s, this study traces Gutzkow's transferral of self-reflexive structures from his novels of this decade into his first staged play, Richard Savage (1839), and on through Das Urbil...
The Art of Comedy and Social Critique in Nineteenth-century Germany
During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today.
Trials and Tribunals in the Dramas of Heinrich Von Kleist
What makes the trial so appealing as dramatic form? Why do we watch? Is it simply the quest for truth and justice? Or is it much more than that? From the time of Sophocles, the court has fascinated audiences and dramatists alike. Kleist is no exception, as each of his dramas and many of his stories and anecdotes contain a trial of some sort from its most primitive form of hand-to-hand combat in the duel to more conventional legal proceedings in secular, military and ecclesiastical courts. At trial, we desire, whether consciously or unconsciously, to have our own system of beliefs and behaviours affirmed rather than to attempt to achieve justice: self-interest prevails at the expense of truth...
Amotopoan Trails
In this book the concept of mobility is explored for the archaeology of the Amazonian and Caribbean region. As a result of technological and methodological progress in archaeology, mobility has become increasingly visible on the level of the individual. However, as a concept it does not seem to fit with current approaches in Amazonian archaeology, which favour a move away from viewing small mobile groups as models for the deeper past. Instead of ignoring such ethnographic tyrannies, in this book they are considered to be essential for arriving at a different past. Viewing archaeological mobility as the sum of movements of both people and objects, the empirical part of Amotopoan Trails focuse...
The Sephardic Atlantic
This volume contributes to the growing field of Early Modern Jewish Atlantic History, while stimulating new discussions at the interface between Jewish Studies and Postcolonial Studies. It is a collection of substantive, sophisticated and variegated essays, combining case studies with theoretical reflections, organized into three sections: race and blood, metropoles and colonies, and history and memory. Twelve chapters treat converso slave traders, race and early Afro-Portuguese relations in West Africa, Sephardim and people of color in nineteenth-century Curaçao, Portuguese converso/Sephardic imperialist behavior, Caspar Barlaeus’ attitude toward Jews in the Sephardic Atlantic, Jewish-Cr...
The Intersection of Material and Poetic Economy
This work explores the intersection of the material and poetic economies in Soll und Haben and Der Nachsommer. It demonstrates how the main poetical strategies of the two novels, dichotomization (Soll und Haben) and total economization (Der Nachsommer), are defined by economic themes, structures, and forms. The «economopoetics» of the novels, i.e. the multitude of connections between economics and aesthetics, pervades the texts on three different levels: as content, as representational model, and as literary strategy. Although very different in their treatment of topics relating to business and economics, both novels are driven by narratives parsed with economic expression. The diverging p...
Public Voices
This book examines the possibilities of political theorizing in the writings of early nineteenth-century German women and develops a new theory of reading women's domestic fiction. Drawing on feminism, new historicism, and hermeneutics for its theoretical framework, the study suggests significant changes to Jürgen Habermas's concept of the public sphere and women's role within it. The book re-evaluates the genre of domestic fiction and traces its use by women writers for political symbolism. Through novels, educational treatises, conduct manuals, poetry, and history books for women and children Caroline Fouqué, the principal voice in this study, and other authors of the period participated in the key debates of the early nineteenth century, among them the anguished discussions about the crisis in masculinity after the defeat of the Prussian army in 1806, the discourses of national identity, the construction of a national past, and the reorganization of the feudal state.
Sehnsuchtsort Orient. Das Leitmotiv Sehnsucht in Handlungsraum und Charakteren von Günderrodes Drama "Udohla"
Studienarbeit aus dem Jahr 2019 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,3, Albert-Ludwigs-Universität Freiburg, Veranstaltung: Proseminar Romantik, Sprache: Deutsch, Abstract: Unter den Pseudonymen „Tian“ und „Ion“ veröffentlichte Karoline von Günderrode in ihrer relativ kurzen Schaffensperiode von 1799 – 1806 nur wenige Werke, in manchen Literaturgeschichten findet sich nicht einmal eine Erwähnung. Lange Zeit galt, wenn überhaupt, nur ihr lyrisches Schaffen als interessant, zeitgenössische Kritiken ihrer Dramen fielen negativ aus. Dabei zeigt sich in dem Stück Udohla unter anderem, wie gründlich Günderrode die philosophischen Diskussionen, Stimmung...
The Heritage Theatre
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