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Hiding in Plain Sight
Hiding in Plain Sight tells the story of the global effort to apprehend the world's most wanted fugitives. Beginning with the flight of tens of thousands of Nazi war criminals and their collaborators after World War II, then moving on to the question of justice following the recent Balkan wars and the Rwandan genocide, and ending with the establishment of the International Criminal Court and America's pursuit of suspected terrorists in the aftermath of 9/11, the book explores the range of diplomatic and military strategies--both successful and unsuccessful--that states and international courts have adopted to pursue and capture war crimes suspects. It is a story fraught with broken promises, backroom politics, ethical dilemmas, and daring escapades--all in the name of international justice and human rights. Hiding in Plain Sight is a companion book to the public television documentary Dead Reckoning: Postwar Justice from World War II to The War on Terror. For more information about the documentary, visit www.saybrookproductions.com. For information about the Human Rights Center, visit hrc.berkeley.edu.
The Culture of Curating and the Curating of Culture(s)
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neil...
Women in Emergencies
Internationally prominent figures, journalists, academics and specialists involved in emergency management sent in contributions on a variety of related subjects. The articles reflect a wide spectrum of thoughts, experiences and practices stemming from various backgrounds. But they all dispel the unfortunate stereotype of women solely as victims. Contents: Open Forum; policies and strategies; U.N. Dept. of Humanitarian Affairs, reports/the Afghan case; conflict situations; natural disasters; profession reporter/special contributions; stories from the field; human rights; on the bookshelf.
The Trials of Richard Goldstone
Richard Goldstone emerged as a leading champion of human rights, first as a judge taking on the apartheid system in his native South Africa, then investigating war crimes in Rwanda, the former Yugoslavia, and Gaza. This new biography tells the story of a remarkable individual and the price he paid for his convictions.
Balkan War Report
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The Cultural Life of Capitalism in Yugoslavia
This edited volume explores the cultural life of capitalism during socialist and post-socialist times within the geopolitical context of the former Yugoslavia. Through a variety of cutting edge essays at the intersections of critical cultural studies, material culture, visual culture, neo-Marxist theories and situated critiques of neoliberalism, the volume rethinks the relationship between capitalism and socialism. Rather than treating capitalism and socialism as mutually exclusive systems of political, social and economic order, the volume puts forth the idea that in the context of the former Yugoslavia, they are marked by a mutually intertwined existence not only on the economic level, but also on the level of cultural production and consumption. It argues that culture—although very often treated as secondary in the analyses of either socialism, capitalism or their relationship—has an important role in defining, negotiating, and resisting the social, political and economic values of both systems.
War Crimes in Bosnia-Hercegovina
Indiscriminate use of force.
Cinemas of the Mozambican Revolution
"As one of the first cultural acts after independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country with little experience of cinema, the INC was tasked to 'deliver to the people an image of the people'. A unique culture of revolutionary cinema emerged, building on films made during the armed struggle"--
WarReport
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