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Derek Duncan's timely study is the first book in English to examine constructions of male homosexuality in Italian literature. In admirably clear and elegant prose, Duncan analyzes texts ranging from the 1890s through the 1990s. He brings canonical authors like D'Annunzio and Pasolini together with under-appreciated writers like Comisso, and also looks at less conventionally literary genres. Duncan takes on the thorny theoretical issues surrounding questions of gay identity and also provides a sound historical context for his discussion of how Italian narrative sheds light on Italian homosexuality and on the broader issues attending contemporary sexuality, including complicating factors such...
The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the United States, Italy, and Australia. Novelists examined include some of the most influential and important of the twentieth century inside and outside Italy: Luigi Pirandello, Primo Levi, Umberto Eco and Italo Calvino. This is a unique examination of the Italian Novel, and will prove invaluable to students and specialists alike. Readers will gain a keen sense of the vitality of the Italian novel throughout its history and a clear picture of the debates and criticism that have surrounded its development.
"A postwar Italian novel which falls far short of Silone's Fontamara with which it is compared, and similarly is disappointing viewed against the distinction of such films as Shoe Shine, The Open City and Paisan. Mr. Pratolini has packed a tiny street in Florence with a parade of characters and the effect is claustrophobic rather than microcosmic ... The action is centered in the middle '20's, in the small, poverty-striken area of the Via del Corno, where men like Lando, a sniveling pimp, are alternating in and out of prison; where the Signora, a retired, diseased ex-prostitute, turned lesbian, battens on young girls; where Maciste, a blacksmith, is killed by Fascists because he is a Communi...
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This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Examines how the artists and intellectuals of post-war Italy dealt with the 'shameful' heritage of their fascist upbringing and education by trying to craft a new cultural identity for themselves and the country.
A pitiful younger brother, cast adrift upon the world with expensive tastes and no talents after having been raised in a wealthy foster home, looks to his older brother to do the helpful things for him which the latter, in his own state of weakness, is sadly unable to do. It is, as you can see, a grim tale -- a tale of frustration and despair -- obviously aimed at evoking the fleeting and subtle sentiments of family association that lie deep down beneath the surface of social, economic and personality differences. And it is clearly meant to provide us with a torturing emotional purge.