You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume completes a series of four titles which comprehensively cover the development of Greek vases.
How can we read the intricacies of figural representations painted on pottery? Such a hermeneutic progress depends on our broader understanding of ancient Greek visual signes and languages, as well as on the methodological strategies we consturct and apply to our analyses. Exploring diverse mehtodologies, adopted or advanced in older as well as in more recent interdisciplinary research on ancient Greek vases, An Archaeology of Representaions: Ancient Greek Vase-Painting and Contermporary Methodosogies offers original approaches to vase-paintings of archaic and classical Greece, with an emphasis on the semiotics of ancient modes of representation. Written by an internatinal group of eminent scholars, the essays in this book address methodological questions and propose wie-ranging interpretive arguments for the study of a large number of images from the rich and complex corpus of ancient Gree vase-painting.
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
None
This richly illustrated volume offers a fascinating introduction to ancient Greek vases for the general reader. It presents vases not merely as beautiful vessels to hold water and wine, but also as instruments of storytelling and bearers of meaning. The first two chapters analyze the development of different shapes of pottery and relate those shapes to function, the evolution in vase production techniques and decoration, and the roles of potters, painters, and their workshops. Subsequent chapters focus on vases as the primary source of imagery from ancient Greece, offering unique information about mythology, religion, theater, and daily life. The author discusses how to identify the figures ...
This comprehensive study of Greek vase-painting offers a detailed examination of the many different styles and techniques that flourished in ancient Greece. Drawing on the latest scholarship and illustrated with over 200 photographs and diagrams, Buschor's book provides a fascinating window into the world of ancient Greek art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This richly illustrated book is a comprehensive study of visual humour in ancient Greece, emphasising works created in Athens and Boeotia.
This is a detailed and engaging examination of famous Greek painter Douris and his contemporaries. The book examines the skill of painting vases, discusses techniques and styles, and looks at the broader social context. It is historical, archaeologic and artistic in its themes and offers a rounded approach to examining what life was like for the average Greek and the wealthy. It uses the art of vase painting as an introduction to investigating life itself.