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Vasily Rudich examines dissidence under Nero from both historical and psychological perspectives and inquires into the balance of the universal and historically conditioned components of political behaviour. The careers of numerous dissident individuals and their attempts at accomodation to a hostile reality are discussed.
This work inquires into the impact of dissident sensibilities on the writings of the major Neronian authors. It offers a detailed and innovative analysis of essays, poetry and fiction written by Seneca, Lucan and Petronius, and illuminates their psychological and moral anguish. The study is intended as a companion volume to Vasily Rudich's earlier work Political Dissidence under Nero: The Price of Dissimulation, where he discussed the ways in which 'dissident sensibilities' of the Neronians affected their actual behaviour. Dissidence and Literature under Nero extends this analysis to show how the same sensibilities became manifest in the texts written by the Neronian authors. It explores the pressures on authors under a repressive regime, who strive to maintain their artistic integrity. Thus the argument of this book can be seen as a comparison between the predicament of a Neronian dissident and the situation of the postmodern intellectual. It will interest professional classicists and the wider audience concerned with the ongoing debate on the benefits and perils of rhetorical discourse.
Religious Dissent in the Roman Empire is the third installment in Vasily Rudich’s trilogy on the psychology of discontent in the Roman Empire at the time of Nero. Unlike his earlier books, it deals not with political dissidence, but with religious dissent, especially in its violent form. Against the broad background of Second Temple Judaism and Judaea’s history under Rome’s rule, Rudich discusses various manifestations of religious dissent as distinct from the mainstream beliefs and directed against both the foreign occupier and the priestly establishment. This book offers the methodological framework for the analysis of the religious dissent mindset, which it considers a recurrent historical phenomenon that may play a major role in different periods and cultures. In this respect, its findings are also relevant to the rise of religious violence in the world today and provide further insights into its persistent motives and paradigms. Religious Dissent in the Roman Empire is an important study for people interested in Roman and Jewish history, religious psychology and religious extremism, cultural interaction and the roots of violence.
Over 100 archaeological sites lying within the desert area of Rome's eastern frontier are examined with accompanying maps, plans and air photographs. Designed to provide an overview of Roman military works in the Middle East, this work is intended to appeal to archaeologists and military historians.
Dissidence and Literature under Nero provides a detailed introduction to the writings of such crucial authors as Seneca and examines a new and innovative dimension of writing in a repressive regime.
Is there a counter-imperial message beneath the surface of the text in Paul? Christoph Heilig analyzes the letters of the apostle and concludes that the hypothesis that we can identify critical "echoes" of the Roman Empire in Paul's letters needs to be modified for it to be maintained.
Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this bo...
The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula’s literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor’s image in popular culture.