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Mediating History
Independently-produced video, produced outside of mainstream commercial channels, provides a pool of shared imagery about the American past and the American people which is unique. The multiple voices, experiences, and perspectives represented in this diverse work are a rich resource for historical research and teaching. Many professors utilize video as supplementary material in the classroom, but despite the growing use of video in general, independently-produced works are among the least known and therefore least accessible resources. Mediating History is designed to introduce historians to multicultural media as a resource in teaching, and provides and introduction to this work on three l...
After the World Trade Center
The terrorist attacks of September 11 have created an unprecedented public discussion about the uses and meanings of the central area of lower Manhattan that was once the World Trade Center. While the city sifts through the debris, contrary forces shaping its future are at work. Developers jockey to control the right to rebuild "ground zero." Financial firms line up for sweetheart deals while proposals for memorials are gaining in appeal. In After the World Trade Center, eminent social critics Sharon Zukin and Michael Sorkin call on New York's most acclaimed urbanists to consider the impact of the terrorist attack on the World Trade Center and what it bodes for the future of New York. Contributors take a close look at the reaction to the attack from a variety of New York communities and discuss possible effects on public life in the city.
Guess Who's Coming to Dinner Now?
"...could not be more of the moment." (New York Times Book Review) "If you, like many, marveled that George W. Bush not only did but could put together a cabinet and staff that was racially diverse as well as fiscally and morally conservative, here's a book you'll want to read." (Ms. magazine)
The Encoded Cirebon Mask
In The Encoded Cirebon Mask: Materiality, Flow, and Meaning along Java’s Islamic Northwest Coast, Laurie Margot Ross situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask’s trajectory from a popular entertainment in Cirebon—once a portal of global exchange—to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia.
Making Waves
A collection of autobiographical writings, short stories, poetry, essays, and photos by and about Asian American women.
Live from Atlantic City
Traces the pageant's history from its inception in 1920 through its emergence as American popular culture icon, not only chronicling events but presenting two opposing perspectives on the pageant: the pageant as celebration and idealization of American womanhood, and the pageant as sexist, exploitative anachronism. With 25 pages of bandw photographs. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
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Gendered Modernities
Based on long-term ethnographic research, the book chapters explore the intersection of 'gender' and 'modernity' as they are mediated in the lives and subjectivities of diverse individuals and groups. How are the messages of modernity/tradition gendered? How are the material practices and cultural meanings of modernity shaped by local ideas of gender and 'progress'? Together these chapters demonstrate that the ideas of progress, rationality, order, and development encompassed by 'modernity' are profoundly gendered, whether conveyed by mass media images of consumption, agendas of nation-building, or legal discourse. Furthermore, the mutual inflections of gender and modernity are at once pervasively 'global,' occurring in different locales and ways; and deeply 'local,' shaping and shaped by the structures and experiences of culture, class, ethnicity, and nation.
