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Fiction as History
Explains the Hindi novel’s role in anticipating and creating the story of middle-class modernity and modernization in North India. Vasudha Dalmia offers a panoramic view of the intellectual and cultural life of North India over a century, from the aftermath of the 1857 uprising to the end of the Nehruvian era. The North’s historical cities, rooted in an Indo-Persianate culture, began changing more slowly than the Presidency towns founded by the British. Dalmia takes up eight canonical Hindi novels set in six of these cities—Agra, Allahabad, Banaras, Delhi, Lahore, and Lucknow—to trace a literary history of domestic and political cataclysms. Her exploration of the emerging Hindu middl...
Hindu Pasts
Challenges the monolithic view of Hindusim in the nineteenth century, and instead offers a vision of India that contains a rich multiplicity of Hinduisms, womens stories, and cultural histories. In her introduction to Hindu Pastswhich showcases her work as a scholar of social, literary, and religious historyVasudha Dalmia outlines the central ideas which thread her writings: first, to understand in greater historical depth the relationship between body language, religion, and society in India, as well as the ever-changing role of its religious and social institutions; second, to recognize that the Hindu tradition, which colonials and nationalists tend to see as monolithic, is in fact a multiplicity of distinct and semi-autonomous strands.
India's Literary History
Spanning A Range Of Topics-Print Culture And Oral Tales, Drama And Gender, Library Use And Publishing History, Theatre And Audiences, Detective Fiction And Low-Caste Novels-This Book Will Appeal To Historians, Cultural Theorists, Sociologists And All Interested In Understanding The Multiplicity Of India`S Cultural Traditions And Literary Histories.
Orienting India
These Three Essays By Vasudha Dalmia, Explores The Ways In Which Europeans-British Colonialists And German Philosophers And Scholars--Appropriated Indian History Religious Scholarship And Ritual Practice To Assert Their Own Relationship To India And Indians, And Even More So, Their Relationship To Their Own Past And Sense Of Present Duty, Right And Mission.
At Home in Diaspora
During the past two decades, at the same time that the South Asian presence in the U.S. and Europe has become an increasingly visible part of mainstream social life and popular culture, scholars of South Asian descent have come to occupy many prominent positions within the Western academy, contributing to the development of disciplines across the social sciences and humanities. In this collection of highly personal essays, leading figures in anthropology, history, and cultural and literary studies reflect on the complex interplay between individual and collective trajectories, examining their own experiences as students, scholars, and teachers. Their narratives trace the arc of interactions ...
The Nationalization of Hindu Traditions
Cultural biography of Bharatendu Hariscandra, 1850-1885, major Hindi writer of the nineteenth century.
Religious Interactions in Modern India
Religions in South Asia have tended to be studied in blocks, whether in the various monolithic traditions in which they are now regarded, thus Hindu, Muslim, Buddhist, Sikh, Jain, Christian, or indeed in temporal blocks: ancient, medieval, modern. This volume seeks to look at relationships both within and between religions. It explores the diversity and the multiplicity within each tradition, the historical links between the various traditions which have crisscrossed the monoliths, but also the specific forms of their co-existence with each other, whether in accord or in antagonism. It views the interaction between 'reformed' and non-reformed branches within each of the modern monoliths, as ...
The Music of Solitude
Aranya and Ishan are neighbours. They are in the autumn of their lives. She is impulsive, anarchic and fiercely feminist. He is gentle, sensitive, orderly and believes in the institution of family, even though he has no one to call his own. Aranya thinks about the many Delhis, from the older one glimmering on the other side of the river to the trans-Yamuna residential complex where she lives now. Ishan is deeply spiritual and draws strength from his Danish guide in the Himalayas. The two of them banter about time, existentialism, changing landscapes, food, music and human nature. They think aloud about aeging and death, and wonder living the way they do amounts to biding time. Krishna Sobti's Samay Sargam is a novel about sharing solitudes and growing old in a city that is at once keenly private and aggressively collective. This is as much a portrait of the changing times as it the story of a beautiful romance that thrives on companionship.
Poetics, Plays, and Performances
This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring.
Theatres of Independence
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in...
