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This book offers a detailed study of how the practices and notions of the Basel Mission regarding women and gender were received, conceptualised and negotiated in local terms in pre and early colonial Ghanaian societies, 1843-1885.
South African theologians have long been powerful voices in the hard-fought political transition from a repressive apartheid regime to a young democracy. A key question is: What should the public role of churches be in this democracy? The simultaneously emerging global discussion on public theology has been one important point of reference, offering a number of frameworks for thinking about the churches' public role. This book considers answers given by South African theologians, beginning with an historical review of approaches taken during apartheid and tracing their development in the two decades following. (Series: Theology in the Public Square / Theologie in der Ã?Â?ffentlichkeit, Vol. 8) [Subject: Religious Studies, African Studies]
This book is about the Basel Mission in the Gold Coast (now Ghana) before the First World War. Miller reconstructs the backgrounds and motivations of the mission's participants and describes the organizational structure that shaped their activities at home and abroad. He then traces some serious and recurrent internal problems to the commitment to difficult Pietist beliefs about authority and obedience. The organization survived those troubles and its impact on Ghana continued to grow, because the same biblical worldview that demanded extreme discipline also prepared the members of the mission community to sustain their efforts.
Women's contributions against apartheid under the auspices of the Namibian liberation movement SWAPO and their personal experiences in exile take center stage in this study. Male and female leadership structures in exile are analysed whilst the sexual politics in the refugee camps and the public imagery of female representation in SWAPO's nationalism receive special attention. The party's public pronouncements of women empowerment and gender equality are compared to the actual implementations of gender politics during and after the liberation struggle.
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Based on private diaries, correspondence, and unpublished writings, George Rochberg, American Composer, reveals the impact of personal trauma on the creative and intellectual work of a leading postmodern composer.
Annette Schemmel provides a highly illuminating case study of the major actors, discourses and paradigm that shaped the history of visual arts in Cameroon during the second part of the 20th century. Her book meticulously reconstructs the multiple ways of artistic knowledge acquisition - from the consolidation of the "Système de Grands Frères" in the 1970s to the emergence of more discursively oriented small artists' initiatives which responded to the growing NGO market of social practice art opportunities in the 2000s. Based on archival research, participant observation and in depth interviews with art practitioners in Douala and Yaoundé, this study is a must read for everyone who wants to better understand the vibrant artistic scenes in countries like Cameroon, which until today lack a proper state-funded infrastructure in the arts.
An examination of the varied ways, outside and inside markets, in which Asante producers obtained labor, land and capital during the transformative era. This is a study of the changing rules and relationships within which natural, human and man-made resources were mobilized for production during the development of an agricultural export economy in Asante, a major West African kingdom which became, by 1945, the biggest regional contributor to Ghana's status as the world's largest cocoa producer. The period 1807-1956 as a whole was distinguished in Asante history by relatively favorable political conditions for indigenous as well as (during colonial rule) for foreign private enterprise. It saw...
"In the eighteenth and nineteenth centuries, coral specimens featured prominently in cabinets of curiosity, and in literary work by writers from Herman Melville to Lydia Huntley Sigourney. Children sang of coral in popular songs. Women, both free and enslaved, wore coral beads. Reef samples drew crowds to galleries and museums. And coral's unique qualities as animal, vegetable, and mineral inspired countless Americans to praise the "coral insect" for creating what one author called "the most wonder-provoking of all natural objects." In this account of coral's history as material and metaphor, Michele Navakas argues that coral shaped the nation's thinking and became deeply entwined with the h...
Like many other developing countries hosting multinational mines in rural communities, Tanzania has not only witnessed a mushrooming investment in its extractive industry, but has also experienced continuous contestation and disagreements between key stakeholders in the industry. This study demonstrates that analysis of the antagonistic relationship between multinational mines and communities, offers a productive way through which deeper understanding of corporate - community relations, particularly stakeholder dialogue practices can be developed. The study views this `battleground' as not necessarily a problem. Instead, it employs an analytical approach to the actions, views and perspectives of community of place, to offer a locally grounded construct of stakeholder dialogue.