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Velazquez
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Velázquez
Diego Rodriguez de Silva y Velazquez (1599-1660) is widely recognized as both the supreme exponent of the Spanish Golden Age and as one of the greatest artists of all time. During his lifetime, he was admired not only at the cosmopolitan court of King Philip IV in Madrid, but also by the imperial court in Vienna and the papal court in Rome. Rediscovered in the 19th century, his work became an essential stimulus to the development of modern painting. Fernando Checa's monograph recasts the traditional critical reception of Velazquez as a Realist master, exploring other avenues of interpretation by examining his relationship with Classicism and with the most progressive trends in painting in his day. At the heart of the book is the color catalogue, which includes Velazquez's entire oeuvre with numerous details.
Lives of Velázquez, The
The Lives of Velázquez brings together two seminal early accounts of the great seventeenth-century Spanish painter (ca. 1599–1660). These texts, written by his contemporaries Francisco Pacheco and Antonio Palomino and newly translated for this volume, serve as our main sources of knowledge about this groundbreaking artist. Pacheco’s biography reveals the scale of the challenge to traditional painting presented by Velázquez’s immense talent. Palomino’s text, while precise and detailed in its narrative of the artist’s life, also tackles the aesthetic debate generated by the painter’s choice of subject matter and style. An engaging introduction by art historian Michael Jacobs situates the historical texts in the context of Spain’s Golden Age.
Velázquez and his Times
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.
Velazquez
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Velazquez (Large Print)
A discussion of the artist's career and painting technique accompanies reproductions of his portraits, as well as religious and historical paintings.
