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Genealogies of Music and Memory
Introduction. Gluck Reception and Cultural Exchange -- Gluck in Performance, 1830-1870 -- Paris Imagines Gluck -- Towards 'Rediscovery' -- Gluck in the Theatre.
Comparative Embryology of Angiosperms Vol. 1/2
COMPARATIVE EMBRYOLOGY OF ANGIOSPERMS is a review of the developmental processes leading to sexual reproduction in flowering plants. On the basis of embryological data and certain evidences from other areas of study, it lays special emphasis on the relationship among and within the families and orders of angiosperms. Occasionally, inaccuracies in observation and interpretation are pointed out, alternative interpretations offered, gaps in our knowledge highlighted, and prospects outlined. The text is documented with 36 tables, 376 figures, and about 5000 literature citations, which contribute to making this book comprehensive. Besides students and research workers interested in angiosperm embyology, taxonomists, plant breeders, agriculturists, and horticulturists will also find much useful information in this treatise.
New Music and Institutional Critique
While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
Tanz und Musik
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
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