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Sigmar Polke, Film und Kunst
For more than 30 years, the artist Sigmar Polke not only painted and photographed, but also filmed many scenes of his everyday life: work, travel, meeting friends.Only very few of these films were shown in public and authorised by him during his lifetime.Here the question as to which new insights this thus far barely accessible work group opens up on the reception of Polke's oeuvre is pursued.English and German text
Kaluza
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Laura Owens & Vincent Van Gogh
Ce catalogue présente les peintures de L. Owens réalisées dans le cadre d'un dialogue avec huit tableaux tardifs de V. Van Gogh conservés au sein d'institutions américaines, notamment le Guggenheim Museum de New York et le Museum of Fine Arts de Boston. Articulées en plusieurs couches, ses toiles oscillent entre le pastiche et l'abstraction.00Exhibition: Fondation Vincent Van Gogh, Arles, Paris (19.06-31.10.2021).
AC
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A and B Blume
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800 Views of Airports
Peter Fischli and David Weiss were Switzerland's most renowned artistic duo. Executed in a variety of media, including sculpture, film and photography, their work playfully ignores the distinction between high and low art. This book focuses on their series of airport photograph, which began in 1988.
The Italian Renaissance Altarpiece
The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time--whether painter or sculptor, major or minor--who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. The Italian Renaissance Altarpiece is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece--"immagini" (icons), "historie" (narratives), and "misteri" (mysteries)--and is illustrated with 250 beautiful reproductions of the artworks.
