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Christian anarchism has been around for at least as long as “secular” anarchism. Leo Tolstoy is its most famous proponent, but there are many others, such as Jacques Ellul, Vernard Eller, Dave Andrews or the people associated with the Catholic Worker movement. They offer a compelling critique of the state, the church and the economy based on the New Testament.
Some two hundred selections give evidence of a lifetime of intensive and fruitful struggle with the great issues of faith: redemption, the kingdom of God, revelation, pacifism, and the suffering of humanity.
A far-ranging study of the Christian relationship to the state and all wordly powers, this book is as provocative as its unusual title. Christian AnarchyÓ says Vernard Eller, is the faith in God's primacy as sovereign Lord and orderer of history which is given such weight that all the big claims of self-confident human scheming and power-play become sheer distraction.
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Jacque Ellul blends politics, theology, history, and exposition in this analysis of the relationship between political anarchy and biblical faith. While he clarifies the views of each and how they can be related, his aim is not to proselytize either anarchists into Christianity or Christians into anarchy. On the one hand, suggests Ellul, anarchists need to understand that much of their criticism of Christianity applies only to the form of religion that developed, not to biblical faith. Christians, on the other hand, need to look at the biblical texts and not reject anarchy as a political option, for it seems closest to biblical thinking. After charting the background of his own interest in the subject, Ellul defines what he means by anarchy: the nonviolent repudiation of authority. He goes on to look at the Bible as the source of anarchy (in the sense of nondomination, not disorder), working through Old Testament history, Jesus' ministry, and finally the early church's view of power as reflected in the New Testament writings.
What is it that makes something beautiful? Is beauty solely in the eye of the beholder, or something deeper, more significant? In Beauty (and the Banana), Nixon writes as an introductory book for Christian leaders, providing the reader an overview of the historical, hermeneutical, and heuristic considerations of beauty. Using the artwork Comedian (a banana taped to a wall) by Italian artist Maurizio Cattelan as a springboard, Nixon addresses various fundamental factors of beauty—ontology (being), teleology (form and understanding), and immutability (transcendence and eternality). Integrating poetry and classical ideals throughout, Beauty (and the Banana)’s response to the above questions may surprise all who read—beauty is more than meets the eye.
-Can an orthodox Christian, committed to the historic faith of the church and the authority of the Bible, be a universalist? -Is it possible to believe that salvation is found only by grace, through faith in Christ, and yet to maintain that in the end all people will be saved? -Can one believe passionately in mission if one does not think that anyone will be lost forever? -Could universalism be consistent with the teachings of the Bible? Gregory MacDonald argues that the answer is yes to all of these questions. Weaving together philosophical, theological, and biblical considerations, MacDonald seeks to show that being a committed universalist is consistent with the central teachings of the biblical texts and of historic Christian theology. This second edition contains a new preface providing the backstory of the book, two extensive new appendices, a study guide, and a Scripture index.
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