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Entre Chien Et Chat
Along with nature, which was his emotional sanctuary, Bonnard saw his relationship with animals as paramount. Until this exhibition, which brings together a group of major works, the impact of the essential presence of animals in his paintings, beyond its anecdotal surface meaning, has never been explored. Bonnard made us accustomed to this disguised simplicity, which masks work that is far more complex than it appears.0While animals occupied a prominent place in images from prehistoric times, testifying to their vital presence in the cycle of the living world, the modern world, which has placed man at the centre of the universe, has gradually demoted them: the thread that traces the future of men and animals unravels in Bonnard?s work. This view is elucidated in this catalogue by Jean Exékias? reflection on the matter, which goes well beyond Bonnard, right up to the present day. The essential contributions of Gilles Genty, Alain Lévêque and Véronique Serrano reposition the painter in a societal, historical and pictorial context.00Exhibition: Musée Bonnard, Le Cannet, France (03.07.-06.11.2016).
Bonnard
This project aims ? with the aid of a wide selection of Bonnard?s masterpieces ? to reveal the artist?s unique approach and his deep connection with his surroundings. The Musée Bonnard decided to present its collection through the lens of the Mediterranean and especially of Le Cannet, where the painter set up home in the early 1920s. Bonnard was bowled over by the region?s light, which tried his heightened sense of observation and his sensitivity to their limits. This exhibition, which has been deliberately organised by date and theme, is enhanced by more than twenty additional loans from private collections, stretching from Bonnard?s first posters to the final flowering of his Le Cannet paintings.0This book is based on the catalogue published for the 150th anniversary of Bonnard?s birth, and expanded to include the new works on show. The carefully documented texts and notes were drafted by Véronique Serrano, Head Curator of the Musée Bonnard. 00Exhibition: Musée Bonnard, Le Cannet, France (04.07.-01.11.2020).
Marthe Solange. Pastels 1921-1926
Pour chacun d?entre nous Marthe est la muse inconditionnelle de Pierre Bonnard et chacun croit connaître cette personnalité secrète à travers la peinture de son mari. Pourtant Marthe a laissé une œuvre éclair sous le nom de Marthe Solange (1869-1942). Celle-ci est apparue aux environs de 1921, aussi mystérieusement qu?elle a disparu vers 1926, même si l?on sait par le témoignage du peintre lui-même qu?elle continue sporadiquement à travailler après cette date au gré de leurs déplacements ou de son état de santé, sans que rien ne soit parvenu jusqu?à nous.0Aujourd?hui, presque 100 ans après sa première et unique exposition personnelle à Paris à la galerie Druet en juin 1...
Face to Face
La problématique de l'autoportrait est bien la plus mystérieuse et la plus inaccessible de l'histoire de la peinture. Au XXe siècle, l'autoportrait n'est plus seulement l'affirmation d'une fonction mais le siège d'une réflexion plus profonde, une manière d'interroger son double, dans une constante recherche de vérité intérieure, tout en révélant aux yeux des autres une part invisible de soi-même. Cette recherche de conscience de soi se métamorphose en une fiction à travers chaque autoportrait, dans une représentation souvent très éloignée de ce que l'artiste voit dans le miroir, figurant en quelque sorte une vérité momentanée qui se rejoue dans chaque œuvre et s'exprime...
Cubism
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of th...
The Nude from Gauguin to Bonnard
"Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens, taking in Michelangelo, Bosch and Brueghel along the way. In the 12h century, the image of the first woman emerged as being the common theme which brought painters and sculptors together around issues relating to the body. The first woman, or the only woman in an artist's world, Eve is the intrinsic representation of the nude. Like so many artists, Gauguin with his exotic Eve or Bonnard with Marthe-Eve, succumbed to this portrayal of nudity as either shameful or as an ideal, inherently primitive. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauves, Cubists and Surr...
A Vision of Cats and Dogs: Bonnard and Animality
Animals were a primary source of inspiration and creative stimulation for the Nabi painter Pierre Bonnard (1867-1947): the theme can be found in about a third of the 2,300 paintings created by the artist over the course of his lengthy career. Ubu, Ravageau, Black and Almond were the names of a few of the canine companions that appear in his work; his cats, though never thus identified by name, also frequently populate his canvases. The appearance of other animals, such as horses, fish, chickens and cows, further testify to Bonnard's fundamental affection for the creature world; but their presence in his paintings has never before been directly addressed. This fully illustrated book examines this secret theme running throughout Bonnard's oeuvre, and will prove a delightful revelation for fans of the intimiste master.
Pierre Bonnard
Exhibition catalog for "Pierre Bonnard: Landscapes from Le Cannet" at the Hilliard University Art Museum in Lafayette. May 27 - Aug 12, 2017. This solo exhibition marks the artist's first in Louisiana and is guest curated by Véronique Serrano, director of the Musée Bonnard in France. It includes 17 drawings, 6 paintings and a lithograph that were created late in the artist's career. Primarily focusing on Bonnard's landscapes, this exhibition celebrates his vision of Le Cannet--which is notable not only as Bonnard's home, but is uniquely distinguished as Lafayette's sister city in France.
