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To most Americans, homicide appears to be a random act, one committed by a deranged and irrational killer in a haphazard, unpredictable manner. Murder is seen as a chaotic, disorganized act beyond the realm of reason. In Wicked Deeds, James O'Kane shows that homicide is actually rather predictable, and patterned with respect to its assailants and victims, the circumstances in which it takes place, the time and location where it occurs, and the motives which precipitate the murderous act. Engagingly written and solidly grounded in evidence, this is a definitive study of murder in the United States. O'Kane explores the phenomena of homicide, illustrating the journalists' "who, what, why, when,...
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The exhibition that this catalog records, Untreated Strangeness, features the work of Los Angeles-based photographer and critic George Porcari along with three new Jorge Pardo sculptures and a video loop by Naomi Fisher. Porcari's remarkable body of work spans almost four decades. Born in Lima, Peru in the 1950s, he emigrated to Los Angeles at age 11 and began taking photographs ten years later to record his own sense of dislocation. In subsequent years, Porcari went on to document his observations of cities (New York, Chicago, Europe, Latin America) through occasional series of photographs, which have also included cinematically-inspired collages, portraits of Los Angeles/international artist friends, the US-Mexican border, and still-lives of an intensely-curated assortment of books.
Barbara Graham might have been a diabolical dame in a hard-boiled detective story—beautiful, sexy, and deadly. Charged alongside two male friends in the murder of an elderly widow during a botched robbery attempt, “Bloody Babs” became the third woman executed in California—after a 1953 trial that played out before standing-room-only crowds captured the imaginations of journalists, filmmakers, and death penalty opponents. Why, Kathleen A. Cairns asks, of all the capital cases in the twentieth century, did Graham’s have such political resonance and staying power? Leaving aside the question of guilt or innocence—debated to this day—Cairns examines how Graham’s case became a touc...
"This story is not strictly a memoir ...it is also a history and analysis of the cultural and political forces that confronted the first and second generation Mexican Americans in San Bernardino, CA, my home town."--Title page.
Professional publication of the RD & A community.
With Latining America, Claudia Milian proposes that the economies of blackness, brownness, and dark brownness summon a new grammar for Latino/a studies that she names “Latinities.” Milian’s innovative study argues that this ensnared economy of meaning startles the typical reading practices deployed for brown Latino/a embodiment. Latining America keeps company with and challenges existent models of Latinidad, demanding a distinct paradigm that puts into question what is understood as Latino and Latina today. Milian conceptually considers how underexplored “Latin” participants––the southern, the black, the dark brown, the Central American—have ushered in a new world of “Latin...