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Butting Out
First major study of two important contemporary female dancers.
Encyclopedia of Diasporas
Immigration is a topic that is as important among anthropologists as it is the general public. Almost every culture has experienced adaptation and assimilation when immigrating to a new country and culture; usually leaving for what is perceived as a "better life". Not only does this diaspora change the country of adoption, but also the country of origin. Many large nations in the world have absorbed, and continue to absorb, large numbers of immigrants. The foreseeable future will see a continuation of large-scale immigration, as many countries experience civil war and secessionist pressures. Currently, there is no reference work that describes the impact upon the immigrants and the immigrant...
Everynight Life
The function of dance in Latin/o American culture is the focus of the essays collected in Everynight Life. The contributors interpret how Latin/o culture expresses itself through dance, approaching the material from the varying perspectives of literary, cultural, dance, performance, queer, and feminist studies. Viewing dance as privileged sites of identity formation and cultural resistance in Latin/o America, Everynight Life translates the motion of bodies into speech, and the gestures of dance into a provocative socio-political grammar. This anthology looks at many modes of dance--including salsa, merengue, cumbia, rumba, mambo, tango, samba, and norteño--as models for the interplay of cul...
History and Memory in African-American Culture
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in Africa...
Radical Interventions
In this volume, minority scholars in the humanities and the social sciences, working within what are often profoundly hostile contexts, speak about their efforts to disrupt and transform business as usual in the Academy. Theirs is a critical, and often radical rethinking of fundamental questions concerning identity, politics, and difference/s as these inform education theory and practice.
Inventing the New Negro
It is no coincidence, Daphne Lamothe writes, that so many black writers and intellectuals of the first half of the twentieth century either trained formally as ethnographers or worked as amateur collectors of folklore and folk culture. In Inventing the New Negro Lamothe explores the process by which key figures such as Zora Neale Hurston, Katherine Dunham, W. E. B. Du Bois, James Weldon Johnson, and Sterling Brown adapted ethnography and folklore in their narratives to create a cohesive, collective, and modern black identity. Lamothe explores how these figures assumed the roles of self-reflective translators and explicators of African American and African diasporic cultures to Western, large...
Insurrections
Explores theoretical and pedagogical approaches to "resistance," showing how this concept plays out in the college writing classroom.
With This Root about My Person
Charles H. Long's groundbreaking works on Africana religious studies serve as the backdrop to With This Root about My Person. The volume features twenty-six essays by a diverse group of students and scholars of Long. Revitalizing an interpretive framework rooted in the Chicago tradition, the essays in this volume vigorously debate the nature of religions in the Americas. In doing so they wrestle with the foundations of the study of religion that emerged out of the European Enlightenment, they engage the discipline's entrenchment in the conquest of the Americas, and they grapple with the field's legacy of colonialism. The book demonstrates tremendous breadth and depth of scope in its skillful comparative work on colonialism, which links the religions of the Americas, Melanesia, and Africa. This seminal work is an important addition to the Religions of the Americas Series and a valuable contribution to the field to which Charles H. Long has for so long been devoted.
EVOLVING ORIGINS, TRANSPLANTING CULTURES
Colección de ensayos críticos de obras literarias norteamericanas firmadas por escritores exiliados y emigrantes, o por sus descendientes, ya nacidos en EE.UU., de origen cubano, mexicano, puertorriqueño, dominicano, asiático, afrocaribeño y europeo. Las obras literarias que se analizan fueron publicadas después de la Segunda Guerra Mundial, si bien se han incluido otras anteriores por ser antecedentes de esta literatura de diversas diásporas. The volume is a collection of critical essays on North American literary works produced by immigrant and exiled writers or American-born descendants of Cuban. Mexican, Puerto Rican, Dominican, Asian, European, and Afro-Caribbean origin. These literary works were published after the Second World War even though some earlier works have been included as antecedents of these literatures of diasporas. They create an amalgam of what being an American means in contemporary society.
Legba's Crossing
In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. InLegba’s Crossing, Heather Russell examines how writers from the United States and the anglophone Caribbean challenge conventional Western narratives through innovative use, disruption, and reconfiguration of form. Russell’s in-depth analysis of the work of James Weldon Johnson, Audre Lorde, Michelle Cliff, Earl Lovelace, and John Edgar Wideman is framed in light of the West African aesthetic principle ofàshe, a quality ascribed to art that transcends the prescr...
