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Humour and Religion
Leading scholars analyze the importance and functioning of humor in different world religions.
Irish Literature
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
The Actor as Playwright in Early Modern Drama
This book uncovers important links between acting and authorship in early modern England.
Representation, Subversion, and Eugenics in Günter Grass's The Tin Drum
In structure and content Grass's novel connects the persecution of degenerate art to the persecution and extermination of these "asocials," for whom the persecuted dwarf-protagonist Oskar Matzerath becomes a central metaphor and voice. This comparative study reveals that through intertextuality with the European fairy-tale tradition, the picaresque novels of Rabelais and Grimmelshausen, and through an array of carnivalesque figures Grass creates an irrational counterculture opposed to the rationalism of Nazi science and its obsession with racial hygiene, while simultaneously exposing the continuity of this destructive rationalism in postwar Germany and the absurdity of a Stunde Null, that putative tabula rasa of 1945."--BOOK JACKET.
Idiocy
In ancient Athens, “idiots” were those selfish citizens who dishonorably declined to participate in the life of the polis, and whose disavowal of the public interest was seen as poor taste and an indication of judgment. Over time, however, the term idiot has shifted from that philosophically uncomplicated definition to an ever-changing sociological signifier, encompassing a wide range of meanings and beliefs for those concerned with intellectual and cognitive disability. Idiocy: A Cultural History offers for the first time a analysis of the concept, drawing on cultural, sociological, scientific, and popular representations ranging from Wordsworth’s “Idiot Boy” and Dickens’ Barnaby Rudge to Down’s “Ethnic classification of idiots.” It tracks how our changing definition of idiocy intersects with demography, political movements, philosophical traditions, economic concerns, and the growth of the medical profession.
The Writings of Antoni de Montserrat at the Mughal Court
This critical edition and translation of the Relaçam do Equebar, Rey dos Mogores (1582) and the Commentarius Mongolicae Legationis (1591), the first detailed European accounts on Mughal India written by Antoni de Montserrat, offers an updated and renewed reappraisal of the first Jesuit mission to the Mughal court (1580-1583). It also includes a reassessment of Montserrat’s career, highlighting his role both as a missionary and a diplomatic agent at the Mughal court
Altered Perspectives
This collection of essays delves into some of the strangest and most profound aspects of the psychedelic experience, such as seeing the self as an illusion, feelings of deep insight, the sublime (fear mixed with wonder), encounters with DMT entities, déjà vu, and existential joy. Drawing on research and theories from a variety of disciplines, Sam Woolfe reflects on the ways that altered states may inform our understanding of consciousness, the self, and reality. Particular attention is paid to the philosophy of psychedelics, with the aim of clarifying altered states through the lenses of metaphysics, philosophy of mind, epistemology, aesthetics, existentialism, and Buddhism. In these essays, Woolfe balances open-mindedness with a critical and sceptical perspective - he believes that this approach is necessary when examining psychedelic consciousness.
England Re-Oriented
Between 1750 and 1857, westward-bound Central and South Asian travelers connected imperial Britain to Persian Indo-Eurasia by performing queer masculinities.
Sounding American
Introduction - Archiving America: sound technology and musical representation - Opera cut short: from the castrato to the film fragment - Selling jazz short: Hollywood and the fantasy of musical agency - Opers and jazz in the score: toward a new spectatorship - Conclusion.
Oz and the Musical
From the first stage production of The Wizard of Oz in 1902, to the classic MGM film (1939), to the musicals The Wiz (1975) and Wicked (2003), L. Frank Baum's children's novel The Wonderful Wizard of Oz (1900) has served as the basis for some of the most popular musicals on stage and screen. In this book, musical theater scholar Ryan Bunch draws on his personal experience as an Oz fan to explore how a story that has been hailed as "the American fairy tale" serves as a guide for thinking about the art form of the American musical and how both reveal American identity to be a utopian performance. Show by show, Bunch highlights the forms and conventions of each musical work as practiced in its ...
