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The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.
This annotated book is a first English translation of 12-hours of interviews of Victor Duvakin with Mikhail Bakhtin recorded in 1973. From Freud to Kant, from the French Symbolists to the German Romantics, Bakhtin shares his knowledge and appreciation of various Western European authors and thinkers. As a result, Mikhail Bakhtin: The Duvakin Interviews, 1973, invites us to reconsider the importance of Western art and thought to Bakhtin himself, and Russian culture in general.
With a certain irony, Beilis ultimately shows that the victor in these two novellas is not psychoanalysis, critical theory, or the Russian soul, but the individual in his quest to understand the self."--Jacket.
This first comparative study of the philosophers and literary critics, Walter Benjamin and Mikhail Bakhtin, focuses on the two thinkers' conceptions of experience and form, investigating parallels between Bakhtin's theories of responsibility, dialogue, and the novel, and Benjamin's theories of translation, montage, allegory, and the aura.
Mikhail Mikhailovich Bakhtin (1895-1975) has become a name to conjure with. We know this because he is now one of those thinkers everyone already knows-without necessarily having to read much of him! Doesn't everyone now know how polyphony functions, what carnival means, why language is dialogic but the novel more so, how chronotopes make possible any concrete artistic cognition and that utterances give rise to genres that last thousands of years, always the same but not the same? Like Marx and Freud in the twentieth century, or Plotinus and Plato in the fourth, a familiarity with Bakhtin's thinking is so commonly assumed, at least in the Humanities, as to be taken for granted. He is no long...
This is the first in a new series entitled MHRA Bibliographies. The Annotated Bakhtin Bibliography draws its material from, and is intended as a companion to, the on-line Analytical Database of Work by and about the Bakhtin Circle: maintained by the Bakhtin Centre at the University of Sheffield, this is the most extensive electronic collection of bibliographical and analytical data relating to the Russian philosopher and cultural theorist Mikhail Bakhtin and the members of the Bakhtin Circle (principally Mariia Iudina, Matvei Kagan, Pavel Medvedev, Lev Pumpianskii, Ivan Sollertinskii and Valentin Voloshinov). The work of Bakhtin and the Bakhtin Circle has had enormous international impact ac...
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Mikhail Bakhtin was one of the twentieth century’s most influential literary theorists. This accessible introduction to his thought begins with the questions ‘Why Bakhtin?’ and ‘Who was Bakhtin?’, before dealing in detail with his ideas on authorship and subjecthood, language, dialogism, heteroglossia and the novel, the chronotope, and the carnivalesque. True to their dialogic spirit, these ideas are presented not as a fixed body of knowledge, but rather as living and evolving entities, as ways of approaching not only the most persistent questions of language and literature, but also issues that are relevant across the full range of Humanities disciplines. Bakhtin emerges in the process as a key thinker for the Humanities in the twenty-first century.
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
As interest in the work of Bakhtin grows there is an increasing demand for a well organized, readable text which explains his main ideas and relates them to current social and cultural theory. This book is designed to supply this demand. Elegantly written with the needs of the student coming to Bakhtin for the first time in mind, it provides the essential guide to this important and neglected thinker.