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A comprehensive history and insider’s account of the Garifuna in New York City from 1943 to the present day. In recent years, Latinos—primarily Central American migrants—crossing the southern border of the United States have dominated the national media, as the legitimacy of their detention and of U.S. immigration policy in general is debated by partisan politicians and pundits. Among these migrants seeking economic opportunities and fleeing violence from gangs and drug traffickers are many Central American Garifuna. This fascinating book is the long-overdue account—written by a Garifuna New Yorker—of the ways that Garifuna immigrants from Guatemala, Belize, and Honduras have organ...
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THE RIVETING TRUE STORY OF HOW THE FBI BROUGHT DOWN THE FEARSOME MIGUEL TREVIÑO, LEADER OF LOS ZETAS, MEXICO'S MOST VIOLENT DRUG CARTEL. Drugs, money, cartels: this is what FBI rookie Scott Lawson expected when he was sent to the border town of Laredo, but instead he's deskbound writing intelligence reports about the drug war. Then, one day, Lawson is asked to check out an anonymous tip: a horse was sold at an Oklahoma auction house for a record-topping price, and the buyer was Miguel Treviño, one of the leaders of the Zetas, Mexico's most brutal drug cartel. The source suggested that Treviño was laundering money through American quarter horse racing. If this was true, it offered a rookie...
This is an essential standard tune that every student of jazz should know. Victor Lopez provides your band with the opportunity to learn this legendary song in a new setting with a few twists. The head of the chart is done in a Latin style, a hard-swinging rendition of the bridge follows, and there are solo spots for tenor and alto sax. A really nice chart at a very playable level. Easy (2: 24)
To coincide with the recent DVD release of The Spirit of the Beehive, this paperback collection of essays focuses on the work of acclaimed Spanish director, Víctor Erice. Originally published in hardcover under the title An Open Window, this expanded edition draws on original essays, reprints, and new translations from an international group of writers. New to this edition are four essays from noted film scholars—including editor Linda C. Ehrlich—as well as three added essays from the filmmaker himself. Both the original and new material provide a deeper appreciation of Erice's three feature-length films—The Spirit of the Beehive [El espíritu de la colmena] (1973), El Sur (1982), and...