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Hunting for Frogs on Elston, and Other Tales from Field & Street
A selection of savvy observations on urban ecology from one of the Midwest's foremost authorities on the subject, Hunting for Frogs on Elston collects the best of naturalist Jerry Sullivan's weekly Field & Street columns, originally published in the Chicago Reader. Engaging, opinionated, inspiring, and occasionally irreverent, Hunting for Frogs on Elston pays tribute to Chicago's natural history while celebrating one of its greatest champions. Published in association with the Chicago Wilderness coalition, Hunting for Frogs on Elston comprehensively chronicles Chicagoland's unique urban ecology, from its indigenous prairie and oft-delayed seasons to its urban coyotes and passenger pigeons. I...
Earthly Engagements
Earthly Engagements: Reading Sartre after the Holocene brings together scholars from the Sartre studies community to think through the planetary ecological crisis. Edited by Matthew C. Ally and Damon Boria, the collection explores ways in which Sartre’s existential thought can be read socio-ecologically, illuminating the tightly imbricated earthly and worldly crises of our post-Holocene epoch. Contributors variously discuss phenomenology, ethics, politics, ontology, and metaphysics. Earthly locations include the Icelandic coast, the Minnesota woods, the Indiana Dunes, the Chinese Great Plain, the Venetian Lagoon, and more; worldly situations include that of the artist, the activist, the co...
Artistic Collaboration Today
Most artists work alone, but some find a creative partner and team up for their entire careers. Artistic collaborators often testify that their work done jointly is better than what each person could create on his or her own. They say this collaboration is like marriage in the way that both partners benefit from a commitment to shared goals, excellent communication and trust. Based on studio visits and in-depth interviews, this book reports on more than forty collaborating sculptors, painters, printmakers, photographers, architechs and performers who have worked in tandem with other artists.
Annual Report
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The World in Paint
Familiar narratives about the nature of English modernism, &"tradition,&" and &"periodization,&" together with the &"literary&" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists. Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English artists&—among them Rossetti, Burne-Jones, Leighton, Watts, Whistler, Sickert, and the modernists of 1914 &—through a historical examination of the meanings of the visual in English culture. By revealing that for many artists and thinkers the visual promised to deliver a more profound understanding of the world than language, the book offers a new reading of the art of the period between 1848 and the First World War.
Specifying Engineer
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Sculptors at Work
In this book of original interviews, sculptors describe their creative process--what they do and how they do it. Some of the 22 sculptors are internationally known while others have regional reputations; interviewees include Bruce Beasley, Lynda Benglis, John Henry and Dennis Oppenheim. Each artist has compelling things to say: personal goals, where ideas come from and how they're transformed into sculpture, material selection, color and scale determinations, works in progress, obstacles, and creative maturation.
