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Becoming a Citizen
How can societies that welcome immigrants from around the world create civic cohesion and political community out of ethnic and racial diversity? This thought-provoking book is the first to provide a comparative perspective on how the United States and Canada encourage foreigners to become citizens. Based on vivid in-depth interviews with Portuguese immigrants and Vietnamese refugees in Boston and Toronto and on statistical analysis and documentary data, Becoming a Citizen shows that greater state support for settlement and an official government policy of multiculturalism in Canada increase citizenship acquisition and political participation among the foreign born. The United States, long a...
Cleaning Up
This fascinating book uncovers the little-known, surprisingly radical history of the Portuguese immigrant women who worked as night-time office cleaners and daytime “cleaning ladies” in postwar Toronto. Drawing on union records, newspapers, and interviews, feminist labour historians Susana P. Miranda and Franca Iacovetta piece together the lives of immigrant women who bucked convention by reshaping domestic labour and by leading union drives, striking for workers’ rights, and taking on corporate capital in the heart of Toronto’s financial district. Despite being sidelined within the labour movement and subjected to harsh working conditions in the commercial cleaning industry, the women forged critical alliances with local activists to shape picket-line culture and make an indelible mark on their communities. Richly detailed and engagingly written, Cleaning Up is an archival treasure about an undersung piece of working-class history in urban North America.
Plural Sovereignties and Contemporary Indigenous Literature
Offering close readings of novels by Sherman Alexie to Leslie Marmon Silko, this book documents the reinvention of Anglo-European nationality in the interests of sustaining the indigenous traditions that long-preceded colonization.
White Man's Club
Asking the reader to consider the legacy of nineteenth-century acculturation policies, White Man's Club incorporates the life stories and voices of Native students and traces the schools' powerful impact into the twenty-first century."--BOOK JACKET.
Cultural Sites of Critical Insight
Bringing together criticism on both African American and Native American women writers, this book offers fresh perspectives on art and beauty, truth, justice, community, and the making of a good and happy life. The essays draw on interdisciplinary, feminist, and comparative methods in the works of writers such as Toni Morrison, Leslie Silko, Alice Walker, Linda Hogan, Paula Gunn Allen, Luci Tapahonso, Phillis Wheatley, and Sherley Anne Williams, making them more accessible for critical consideration in the fields of aesthetics, philosophy, and critical theory. The contributors formulate unique frameworks for interpreting the multiple levels of complex, cultural play between Native American and African American women writers in America, and pave the way for innovative hermeneutic possibilities for reassessing writers of both traditions.
Lies that Tell the Truth
Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic realist fiction can be produced also at what is usually considered to be the cultural centre without forfeiting the mode’s postcolonial attitude and aims. A close analysis of works by Angela Carter, Salman Rushdie, Jeanette Winterson, Robert Nye and others reveals how the techniques of magic realism generate a complex critique of the West’s rational-empirical worldview from within a Western context itself. Understanding magic realism as a fictional analogue of anthropology and sociology, Lies that Tell the Truth reads the mode as a frequently humorous but at the same time critical investigation into people’s attempts to make sense of their world. By laying bare the manifold strategies employed to make meaning, magic realist fiction indicates that knowledge and reality cannot be reduced to hard facts, but that people’s dreams and fears, ideas, stories and beliefs must equally be taken into account.
Portuguese Studies Review, Vol. 18, No. 2
This issue of the Portuguese Studies Review groups essays by João de Figueirôa-Rêgo, Gerhard Seibert, Jeremy Ball, Rui Graça Feijó, Maria do Céu Pinto, Vanessa Ribeiro Simon Cavalcanti and Antonio Carlos da Silva, Robert Simon, and Harold B. Johnson. The topics covered range from social networks and the granting of offices in the context of the Holy Office and the Mesa da Consciência e Ordens to the great slave revolt on the Island of São Tomé in 1595, the cmapaign for free labor in Angola and São Tomé in 1900-1910, the issues of naming and national identity in Timor-Leste, the continuation of imperial policies through "peacekeeping", the global crisis and the "society of spectacle", Portuguese 21st-century poetry, and critical assessments of the biography of King Sebastian of Portugal.
Emigration and the Sea
Noted historian of the Lusophone world Malyn Newitt offers an expansive account of how exploration, imperialism and migration shaped the Portuguese and their global diaspora.
Domestic Subjects
Amid the decline of U.S. military campaigns against Native Americans in the late nineteenth century, assimilation policy arose as the new front in the Indian Wars, with its weapons the deployment of culture and law, and its locus the American Indian home and family. In this groundbreaking interdisciplinary work, Piatote tracks the double movement of literature and law in the contest over the aims of settler-national domestication and the defense of tribal-national culture, political rights, and territory.
Art of the Spirit
Rich colours and arresting designs capture the mood of celebration and joy that characterizes this photographic record of contemporary religious works of art. Chosen for their excellence in design and stitchery, these works represent the achievements of artists who have created art, in fabric, for places of worship. This book celebrates this important artistic expression, a significant part of our heritage. Pieces are selected from communities across Canada: from a small parish on a Micmac reserve in Nova Scotia to a large urban synagogue in Vancouver; from the igloo-shaped cathedral in Iqaluit to a suburban church nestled beside a wildlife march in southwestern Ontario.
