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Quiet
Victoria Adukwei Bulley's debut collection, Quiet, circles around ideas of black interiority, intimacy and selfhood, playing at the the tensions between the impulse to guard one's 'inner life' and the knowledge that, as Audre Lorde writes, 'your silence will not protect you'. The poems teem with grace and dignity, are artful in their shapes, sharp in their intelligence, and possessing of a good ear, finely attuned to the sonics that fascinate and motivate the writing 'at the lower end of sound'.
Quiet
A black British poet making her thrilling American debut explores the importance of “quiet” in producing forms of community, resistance, and love. How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."
Rising Stars
"An exciting collaboration between Otter-Barry Books and Pop Up Projects, introducing new voices in poetry for 10-14 years old. Rising Stars, sponsored by Arts Council England's Grant for the Arts programme, is a poetry anthology showcasing the work of five debut poets from diverse backgrounds, all aged 25 and under. Black and white illustrations are by final year students from Birmingham City University's illustration course. Joelle Taylor, founder and Artistic Director of SLAMbasadors UK, is acting as a consultant to the project"--Publisher's description.
Come Rain or Come Shine
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. When Ray turns up to visit his old university friends Charlie and Emily, he's given a special task: to be so much his useless self that he makes Charlie look good by comparison.But Ray has his own buried feelings to contend with. Decades earlier, he and Emily would listen to jazz when they were alone, and now, as Sarah Vaughan sings through the speakers, he struggles to control everything the sound brings with it.In Kazuo Ishiguro's hands, a snapshot of domestic realism becomes a miniature masterpiece of memory and forgetting.
Surge
**Winner of the 2020 Sunday Times/University of Warwick Young Writer of the Year Award** Jay Bernard's extraordinary debut is a fearless exploration of the New Cross Fire of 1981, a house fire at a birthday party in which thirteen young black people were killed. Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain. Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, ...
In the Garden
An essay collection about gardening and our relationship to nature, following on from the success of At the Pond and In the Kitchen.
The White Review No.29
The White Review is an arts and literature quarterly magazine, with triannual print and monthly online editions. The magazine launched in London in February 2011 to provide 'a space for a new generation to express itself unconstrained by form, subject or genre', and publishes fiction, essays, interviews with writers and artists, poetry, and series of artworks. It takes its name and a degree of inspiration from La Revue Blanche, a Parisian magazine which ran from 1889 to 1903.
Intertitles
Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena. Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contem...
Everything is Going to be All Right
From grief to toothache, heartbreak to homesickness, the power of finding solace in the words of another cannot be overstated. Whether it was written 300 years ago or in our present day, poetry provides a comforting light in the dark. Words may not always provide solutions, but they can at the very least offer us a sense of hope, and the reassurance that we are not alone in our experiences and in our feelings. Everything is Going to be All Right is a ready-made toolkit that offers you a light in the dark, no matter what you are feeling. Comprising poems from literary classics to new, cutting edge voices writing about the world today, this extraordinary collection proves that we are never alone in the suffering we endure, and in the human spirit's capacity to overcome. Whether you are well-versed in poetry or sceptical to the power it holds, we hope that this collection will surprise you, entertain, and ultimately offer comfort through those difficult days. Featuring poems from: Kae Tempest, Hollie McNish, Raymond Antrobus, Salena Godden, Theresa Lola, Maya Angelou, Emily Dickinson and many, many more.
The Blue Clerk
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. Inviting the reader to engage with the resonant meanings of the withheld, Brand offers a profound and moving philosophy of writing and a wide-ranging analysis of the present world.
