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Native stories and writings by women pioneers, travelers, and working women from the Great Lakes
From the Native water monster who raised canoe-killing storms to thousand-foot cargo ships, sailing the Great Lakes has inspired autobiography, folksong, poetry, drama, and fiction about some of the most beautiful, most dangerous, waters in the world. In the words of those who lived them, here are stories o fdangers and triumphs, ghosts and mysteries, and darevevil risks and losses. White Squall is a history of the Great Lakes written by those who knew them best in all times and all weathers from the beginning to the present.
"A revised and expanded, comprehensive guide to the novels of Native American author Louise Erdrich from Love Medicine to The Painted Drum. Includes chronologies, genealogical charts, complete dictionary of characters, map and geographical details about settings, and a glossary of all the Ojibwe words and phrases used in the novels"--Provided by publisher.
A pioneering introduction to the oppositional, referential techniques Woolson developed to enter contested nineteenth-century political conversations about monetary policy, post-Reconstruction legal decisions, racial justice, women’s rights, religious hypocrisy, environmental destruction, and destabilizing political developments.
This volume provides a thorough study of how psychological messages are portrayed and interpreted via the written word. It explores the interactions between text and reader, as well as affiliations within the text, with particular emphasis on emotion and affect. Featuring relevant coverage on topics such as literary production, psychology in literature, identity/self and the other, and trauma studies, the book offers an in-depth analysis that is suitable for academicians, students, professionals, and researchers interested in discovering more about the relationship between psychology and literature.
Two-volume set that presents an introduction to American short fiction from the 19th century to the present.
As these pieces demonstrate, Woolson offered keen observations on the issues she cared most deeply about, namely the cultural and political transformation of the United States in the wake of the Civil War, the status of women writers and artists in the nineteenth century, and the growing implications of nationalism and imperialism." "This collection features selections from each of the three distinct periods of Woolson's career and includes a chronology of her life and travels. Focusing primarily on Woolson's short stories, editors Victoria Brehm and Sharon L. Dean also include a representative letter, poem, and travel sketch for each section."--BOOK JACKET.
This volume engages the reader’s interest in the relationship that binds man to nature, a relationship which makes itself manifest through certain literary or visual artefacts produced by Native or non-Native writers and artists. It ranges from the study of literatures (mainly from Canada – including Quebec and Acadia – but also from Britain, the United States of America, France, Turkey, and Australia) to the exploration of films, photographs, paintings and sculptures produced by Aboriginal artists from North America. Thanks to a relational paradigm founded on spatial and temporal enlargement, it re-imagines the critical outlook on indigenous production by instigating a dialogue betwee...
In the wake of the Civil War, Constance Fenimore Woolson became one of the first northern observers to linger in the defeated states from Virginia to Florida. Born in New Hampshire in 1840 and raised in Ohio, she was the grandniece of James Fenimore Cooper and was gaining success as a writer when she departed in 1873 for St. Augustine. During the next six years, she made her way across the South and reported what she saw, first in illustrated travel accounts and then in the poetry, stories, and serialized novels that brought unsettled social relations to the pages of Harper's Monthly, the Atlantic, Scribner's Monthly, Appletons' Journal, and the Galaxy. In the midst of Reconstruction and in ...
She argues that for both writers, the manner in which they saw and transcribed landscape informed their ways of seeing themselves as artists." "Full of fresh insights into the literary achievements of both Woolson and Wharton, Dean's book will also prompt readers to reconsider their own responses and obligations to landscape and how those responses are shaped by their experiences and by larger cultural forces."--BOOK JACKET.