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Modernism and the Architecture of Private Life
In the late 19th century the conventions of domesticity came under scrutiny by British writers & others intent on bringing a modern spirit into the home. Rosner reveals the connections between those who elegantly synthesized modernist literature with architetcural plans, room designs, & decorative art.
The Global and the Intimate
By placing the global and the intimate in near relation, sixteen essays by prominent feminist scholars and authors forge a distinctively feminist approach to questions of transnational relations, economic development, and intercultural exchange. This pairing enables personal modes of writing and engagement with globalization debates and forges a definition of justice keyed to the specificity of time, place, and feeling. Writing from multiple disciplinary and geographical perspectives, the contributors participate in a long-standing feminist tradition of upending spatial hierarchies and making theory out of the practices of everyday life.
Design and Feminism
The distinction between the spaces considered public and private or work and home is becoming more blurred. Our streets, parks, dwellings and tools are designed to a "one-size-fits-all" standard, and the responses of the design community to meet diverse needs have been mixed at best. Design and Feminism offers feminist critiques of these inadequate design standards, and suggest ideas, projects, and programs for change.
Machines for Living
Changes in the routines of domestic life were among the most striking social phenomena of the period between the two World Wars, when the home came into focus as a problem to be solved: re-imagined, streamlined, electrified, and generally cleaned up. Modernist writers understood themselves to be living in an epochal moment when the design and meaning of home life were reconceived. Moving among literature, architecture, design, science, and technology, Machines for Living shows how the modernization of the home led to profound changes in domestic life and relied on a set of emergent concepts, including standardization, scientific method, functionalism, efficiency science, and others, that form the basis of literary modernism and stand at the confluence of modernism and modernity. Even as modernist writers criticized the expanding reach of modernization into the home, they drew on its conceptual vocabulary to develop both the thematic and formal commitments of literary modernism. Rosner's work develops a new methodology for interdisciplinary modernist studies and shows how the reinvention of domestic life is central to modernist literature.
"Biography, Identity and the Modern Interior "
Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within...
Love, Money, Duty
From birth to death, we care and are cared for by others. Yet we rarely acknowledge care except when it fails. In Love, Money, Duty, Rachel Adams examines the stories we tell about care, those who do the work, and those who depend on it. These narratives, she argues, help us better understand our complicated feelings about care and the obligations that come with it. Combining insightful and compassionate readings of writers and artists—among them Toni Morrison, Susan Sontag, Roz Chast, Sally Mann, and Jamaica Kincaid—with stories of her own experiences, Adams analyzes the work, feelings, and ethical dilemmas associated with care, including unwelcome emotions such as boredom, resentment, ...
Modernism and the Architecture of Private Life
Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."
Virginia Woolf's Rooms and the Spaces of Modernity
This book provides a fascinating account of rooms in selected works by Virginia Woolf. Casting them as spaces which are at once material, textual and emotional, the volume shows Woolf’s rooms to be consistently connected to wider geographies of modernity and therefore central to her writing of gender, class, empire and the nation. The discussion moves “in and out of rooms,” from the focus on travel in Woolf’s debut novel, to the archival function of built space and literary heritage in Night and Day, the university as a male space of learning in Jacob’s Room, the iconic A Room of One’s Own and its historical readers, interior space as spatial history in The Years, and rooms as loci of memory in her unfinished memoir. Zink masterfully shows the spatial formation of rooms to be at the heart of Woolf’s interweaving of the political and the aesthetic, revealing an understanding of space as dynamic and relational.
Gender and the Modern Sherlock Holmes
From his 1887 literary debut to his many film and television adaptations, Sir Arthur Conan Doyle's Sherlock Holmes has lost none of his appeal. Besides Holmes himself, no character in Conan Doyle's stories proves as interesting as the astute detective's constant companion, Dr. Watson, who somehow seems both superfluous and essential. While Conan Doyle does not depict Holmes and Watson as equals, he avoids presenting Watson as incompetent, as he was made to appear on screen for decades. A variety of reimagined Holmeses and Watsons in recent years have depicted their relationship as more nuanced and complementary. Focusing on the Guy Ritchie films, the BBC's Sherlock and CBS's Elementary, this collection of new essays explores the ideas and implications behind these adaptations.
Victorian Structures
Argues that the descriptions of buildings frequently encountered in Victorian novels offer more than evocative settings for characters and plot; instead, such descriptions signal these novels’ self-reflexive consideration of the structure itself. Although Victorian novels often feature lengthy descriptions of the buildings where characters live, work, and pray, we may not always notice the stories these buildings tell. But when we do pay attention, we find these buildings offer more than evocative background settings. Victorian Structures uses the architectural writings of Victorian critic John Ruskin as a framework for examining the interaction of physical, social, and narrative structure...
