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The Unreadable Shores of Love
When the Ottoman Turkish Empire was divided into modern states after World War I, in Turkey a change of alphabet and radical linguistic reform aimed to free modern Turkish literature from intellectual ties to the East. Holbrook recuperates Ottoman debates on the existential status of language and social value of art with a poetics of Beauty and Love, the philosophical fairy tale in verse by Seyh Galib. Where does language come from? How does a poet conceive imagery? What rights to interpretive authority does Muslim law accord the individual when God's word is law? Holbrook's lively analysis ranges an intertext of genres in Arabic and Persian as well as Turkish. The romance of separated lovers is a paradigm of journeys that lead beyond discourse. A poet's quest for originality reveals an archaeology of modernism. Holbrook traces the revolutionary polemic and Orientalist philology that de-aestheticized Ottoman poetry, bringing the critique of Orientalism to bear upon the Ottoman center Orientalism suppressed.
Hüsn ü Aşk
The girl Husn and the boy Ask are betrothed to each other as children. But Husn violates the custom of the tribe by falling in love with him, and Ask must undergo the trials of a journey to Diyar-i Kalp, the Land of the Heart, to prove himself worthy - a journey to realization of both his and Husn's true nature. The Turkish verse romance Husn u Ask, written in 1783 by Seyh Galip, head of an Istanbul center of Rumi's order of the Whirling Dervishes, is an innovative interpretation of the Islamic love tale as a story of the action of God's qualities in the world. With its stunning imagery, fast-moving plot, and nonchalant, erudite humor, it is widely known as the greatest work of Ottoman literature. In her introduction Victoria Rowe Holbrook discusses the heritage of Ibn Arabi and Rumi in Ottoman thought, the traditions of verse romance and allegory, Indian style imagery, and Galip's political loyalties.
Ottoman Canon and the Construction of Arabic and Turkish Literatures
The Ottoman Canon and the Construction of Arabic and Turkish Literatures fleshes out the Ottoman canon's multilingual character to call for a literary history that can reassess and even move beyond categories that many critics take for granted, such as 'classical Arabic literature' and 'Ottoman literature'. It gives a historically contextualised close reading of works from authors who have been studied as pionneers of Arabic and Turkish literatures, such as Ziya Pasha, Jurji Zaydan, Ma?ruf al-Rusafi and Ahmet Hamdi Tanpinar. The Ottoman Canon analyses how these authors prepared the arguments and concepts that shape how we study Arabic and Turkish literatures today as they reassessed the relationship among the Ottoman canon's linguistic traditions. Furthermore, The Ottoman Canon examines the Ottoman reception of pre-Ottoman poets, such as Kab ibn Zuhayr, hence opening up new research avenues for Arabic literature, Ottoman studies and comparative literature.
Women of Sufism
This collection of Sufi poetry and songs is “an inspiring source to deepen our knowledge of Sufism by the examples and teachings of . . . beautiful and wise Sufi women” (Sufism) The luminous presence of women who follow the Sufi Way—the mystical path of Islam—is brought to life here through their sacred songs and poetry, their dreams and visions, and stories of their efforts as they witness the Truth in many realms. These writings reflect the honor and respect for the feminine in the Sufi worldview, and they are shared in the spirit of inspiration and hope for the flourishing contributions of women to the spiritual development of humanity. Spanning the centuries, from the time of the...
What is “Islamic” Art?
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Books on Turkey
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Beshara and Ibn 'Arabi
Investigating Sufi-inspired spirituality in the modern world, this interdisciplinary text combines cultural study with solid data to provide a comprehensive look at how the teachings of Ibn 'Arabi have been adopted and adapted by Muslims and non-Muslims. At the heart of this movement is the Beshara School in Scotland, founded in the 1960s, and now a center of international scholarship. Using the school as a case study, the discussion describes its emergence and evolution, its approach to spiritual education, the origins of its spiritual teacher, its major teachings and practices, and its projection of Ibn 'Arabi. Both rigorous and very timely, this effort points to areas of cultural exchange between East and West and highlights commonalities in the various historical changes both societies have undergone.
The Triumphal Sun
This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism. The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace. The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.
Rumi and the Whirling Dervishes
This brings together, in English, for the first time a number of articles in one volume that have been published in various books and journals and are reprinted with permission. Through this work, Rumi and his poetry as well as the whirling dervishes, will hopefully become more widely known in Western countries than they are at present. The whirling dervishes are famous for their ecstatic dance and but here it is hoped that their role within Sufism will become more clearly understood. The book is an attempt to suggest a renewed manner of thinking about one of the most celebrated trends in the mystical dimension of the Islam, the religion of love of Rumi and the cosmic dance of the dervishes. The theology is at the back of all the itinerary and the all five chapters represent the possibility to rethink the dynamic relation between disciples and their Founder, institution and charisma, politics and mysticism.
