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Revenge was just one of the catalysts responsible for the disposal of the Australian Commonwealth Shipping Line to Great Britain. In reality the final sale was a gift to a conglomerate of British shipowners; five new passenger ships and two large special purpose vessels all that remained of 57 ships. Ships sold for little more than their scrap value with a small down payment followed by default. 28men depicts an explosive period of endemic industrial disputation, the near general strike that crippled New South Wales in 1917. During this volatile period of strikes, union power, political intrigues and a world at war, there emerged from near anarchy a conservative cohesion of political forces ...
1956. Argentina has just lost its charismatic president Juán Perón in a military coup, and terror reigns across the land. June 1956: eighteen people are reported dead in a failed Peronist uprising. December 1956: sometime journalist, crime fiction writer, studiedly unpoliticized chess aficionado Rodolfo Walsh learns by chance that one of the executed civilians from a separate, secret execution in June, is alive. He hears that there may be more than one survivor and believes this unbelievable story on the spot. And right there, the monumental classic Operation Massacre is born. Walsh made it his mission to find not only the survivors but widows, orphans, political refugees, fugitives, alleged informers, and anonymous heroes, in order to determine what happened that night, sending him on a journey that took over the rest of his life. Originally published in 1957, Operation Massacre thoroughly and breathlessly recounts the night of the execution and its fallout.
Nine-year-old Susannah Winston is sent to stay with her Uncle Dennis, an officer with the Mounties - The Royal Canadian Mounted Police - in Regina, Saskatchewan, and has many adventures on the prairie. Made into the blockbuster Hollywood film starring Shirley Temple!
Part I Policy, practice and theory in the art museum1. The post-traditional art museum in the public realm2. The politics of representation and the emergence of audience3. Tracing the practices of audience and the claims of expertisePart II Displaying the nation1. Canon-formation and the politics of representation2. Tate encounters : Britishness and visual cultures, the transcultural audience3. Reconceptualizing the subject after post-colonialism and post-structuralismPart III Hypermodernity and the art museum7. New media practices in the museum8. The distributed museum9. Museums of the future10. Post-critical museology : reassembling theory, practice and policy.
Koah Saint Son of Sinister. Drug dealer. The number one stunner on The Strip and a BIG FAT LIAR. They bow to him like he’s the holy grail, but I know he’s really the devil. Since the day he was dropped on our doorstep, I’ve wanted him out of my life. He’s a black stain on my memory and the one who put my father away. Because of him, I’m flipping burgers instead of lying on beaches. To say he ruined my life would be an understatement. Ten years later, I still can’t stand the guy, but even I can admit he’s sexy beyond belief. I won’t fall for his lusty looks and boyish charms. There’s nothing he can say or do to me to make me believe he’s anything but a lying playboy. Or is there?
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Art Is Not What You Think It Is utilizes original research to present a series of critical incursions into the current state of debate on the idea of art, making manifest what has been largely missing or unsaid in those discussions. Links museology, history, theory, and criticism to the realities of contemporary social conditions and shows how they have structurally functioned in a variety of contexts Deals with divisive and controversial problems such as blasphemy and idolatry, and the problem of artistic truth Addresses relations between European notions about art and artifice and those developed in other and especially indigenous cultural traditions
The work of mid-twentieth century art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences, institutional framework and legacy of his work, Between Art Practice and Psychoanalysis reveals the context within which Ehrenzweig worked, how that influenced him and those artists with whom he worked closely. Beth Williamson looks to the writing of Melanie Klein, Marion Milner, Adrian Stokes and others to elaborate Ehrenzweig?s theory of art, a theory that extends beyond the visual arts to music. In this first full-length study on his work, including an inventory of his library, previously unexamined archival mat...