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Examines the intricate relationships between time and gender in the novels of five fin-de-siecle British writers--Thomas Hardy, Olive Schreiner, H. Rider Haggard, Sarah Grand, and Mona Caird.
"In these elegant engagements with literary works, cultural history, and critical theory, Cohen advances a phenomenological approach to embodiment, proposing that we encounter the world not through our minds or souls but through our senses."--BOOK JACKET.
Our Hearts Are in England offers an impassioned salute to our most cherished destinations.
In her study of Charlotte Brontë, Harriet Martineau and George Eliot, Lesa Scholl shows how three Victorian women writers broadened their capacity for literary professionalism by participating in translation and other conventionally derivative activities such as editing and reviewing early in their careers. In the nineteenth century, a move away from translating Greek and Latin Classical texts in favour of radical French and German philosophical works took place. As England colonised the globe, Continental philosophies penetrated English shores, causing fissures of faith, understanding and cultural stability. The influence of these new texts in England was unprecedented, and Eliot, Brontë ...
Things are not always what they seem, and fate sometimes conspires to right a decades-old wrong. Twenty years after the cancellation of their wedding, family therapist Ann Hart and trauma specialist Ted McConaughy embark on a journey that defies time and reason, forcing them to re-evaluate their capacity for love and forgiveness. “This is an absolutely amazing book!” “From the intriguing dialogue to the expansive plot that wraps around a truly unforgettable couple, this book has it all!” “GREAT BOOK! I was hooked from the start.” Synopsis: "It is by no means an irrational fancy that, in a future existence, we shall look upon what we think of as our present existence, as a dream."...
Victorian Science in Context captures the essence of this fascination, charting the many ways in which science influenced and was influenced by the larger Victorian culture. Leading scholars in history, literature, and the history of science explore questions such as, What did science mean to the Victorians? For whom was Victorian science written? What ideological messages did it convey?
In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian write...
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