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"Has the art of politics no apparent utility? Does it appear to be unqualifiedly ratty, raffish, sordid, obscene, and low down, and its salient virtuousi a gang of unmitigated scoundrels? Then let us not forget its high capacity to soothe and tickle the midriff, its incomparable services as a maker of entertainment." -- -from On Politics With a style that combined biting sarcasm with the "language of the free lunch counter," Mencken shook politics and politicians for nearly half a century. The political arena afforded Mencken a special opportunity to showcase his talents. He despised pretentiousness and hypocrisy and found numerous, easy targets among politicians. But while he could be merciless in attacking local and national leaders, Mencken always interspersed his scathing commentaries with entertaining exaggerations and high humor. This collection of seventy political pieces drawn from Mencken's famous Monday columns in the Baltimore Evening Sun during the twenties and thirties shows the "Sage of Baltimore" at his satirical best. While social attitudes may have changed, the value of Mencken's words on American politics offers us a timeless perspective.
Carleton A. Coon, Sr., and Hoe L. Sanders formed the Coon-Sanders Orchestra in 1919 in Kansas City, Missouri. Three years later, under the name "Nighthawks," the band began broadcasting experimental, highly-popular midnight radio programs over Kansas City's WDAF. Their music was played all over the world, and the band remained one of America's top bands until Coon's death in 1932. Here is the complete history of the Coon-Sanders Orchestra, the band whose saucy, and bustling music and carefree and extravagant musicians symbolized the era between World War I and the Great Depression.
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In this collection of essays, outstanding scholars and pastors reflect on the many "languages" of the Catholic liturgy--the aural, spatial, temporal, kinetic, and iconic--which blend together into a single voice, a single act of praise.