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Covering almost 8 percent of the earth's terrain, lichens are living beings which are familiar to everyone, known to no one. They are one of those organisms that seem to offer nothing to hold our gaze. But the more time we spend with lichens, the more they reveal their beauty, their mysteries and their strange power of attraction. Part-algae and part-fungus, lichens call into question our customary ways of classifying forms of life, and allow us to conceive of an ecology that is no longer based on distinctions between nature and culture, urban and rural, competition and cooperation. The result of several years of investigation carried out on several different continents, this remarkable book...
Through a series of original analyses of experimental works that exist well outside of the established territory inhabited by the Italian literary canon, or which purposely position themselves at its margins, this volume proposes a new way to understand the goals of literary experimentation as a means to break the canon and give literature the same freedom that is easily granted to other arts. This serves to allow literature itself to intersect with those other art forms, while enhancing the powerful and positive outcomes of literary experimentation. Specifically, the volume explores a series of 20th- and 21st-century Italian works that are characterized by a non-normative approach to language or the act of writing itself. The contributors, while addressing diverse writers, and often even adopting different theoretical interpretations of experimentalism itself, all analyze the intersection between experimental literatures and other art forms, as well as cross-disciplinary and non-traditional approaches to the theme of experimentation.
States of Decadence is a two volume anthology that focuses on the literary and cultural phenomenon of decadence. Particular attention is given to literature from the end of the 1800s, the fin de siècle; however, the essays presented here are not restricted to this historical period, but draw lines both back in time and forward to our day to illuminate the contradictory multiplicity inherent in decadence. Furthermore, the essays go beyond literary studies, drawing on a number of the tropes and themes of decadence manifested in the arts and culture, such as in music, opera, film, history, and even jewelry design. Volume 2 comprises essays on the following thematic areas: “Images of Decadent Women”, “Transmedia Decadence”, “Contemporary Decadence”, and “Poetic Decadence”. The contributors are part of an active network of international scholars from many different countries. As the expansive title of the volume suggests, they explore the decadent aesthetic approach to the arts, to culture, and to a worldview that juxtaposes a strange mixture of conservatism and rebellion, ambivalence and deep convictions.
A fascinating guide to the natural and cultural significance of mosses and lichens. Moss and Lichen is a celebration of the extraordinary biology, beauty, and resilience of two unassuming organisms. Endowed with unique abilities to thrive in extreme habitats, mosses and lichens defy easy categorization. Mosses, which are integral to the plant kingdom, and lichens, which are a kingdom unto themselves, colonize a variety of landscapes from rainforests to deserts to urban streets. Long neglected for lacking flowers, these organisms are now beloved for their significant role in maintaining the health of our world’s ecosystem. Elizabeth Lawson describes how mosses and lichens shape landscapes, prevent erosion, and sequester carbon, but she also offers a wide-ranging introduction to the biologists, artists, and writers inspired by their beauty. Moss and Lichen will inspire a newfound appreciation for these unsung heroes of the natural world.
Hunting stories will usually glorify the hunters, since it is the hunters who write the stories. In this book, Dénètem Touam Bona takes up the perspective of the hunted, using the concept of marronage to highlight the lives and creativity of colonized and subjugated peoples. In a format that blends travel diary, anthropological inquiry, and philosophical and literary reflection, he narrates the hidden history of fugues – those of the runaway slave, the deserting soldier, the clandestine migrant, and all those who challenged norms and forms of control. In the space of the fugue, in the folds and retreats of dense and muggy woods, runaway countercultures appeared and spread out, cultures w...
Un rideau s’ouvre, il découvre brièvement une image. C’est l’apariencia. Par son mouvement, le rideau fait vivre l’image, devenue une véritable apparition. Au théâtre, les comédiens composent des tableaux vivants dévoilés ; dans sa chapelle, le roi se met en scène comme Roi Catholique, découvert par le sommelier de courtine. Dans tous ses registres d’usage, l’apariencia fait de l’émerveillement un spectacle performatif jouant du rituel et de l’art pour donner du pouvoir aux images. Sur la base des acquis de l’anthropologie historique des images, ce livre interroge un mode de visibilité ainsi que ses emplois dans différents domaines de la culture espagnole au Siècle d’or, tels que l’histoire du théâtre, l’histoire de la liturgie, l’histoire des représentations politiques, ou celle des collections d’art.
Depuis une vingtaine d'années, on assiste à une vague de parutions consacrées aux rapports entre la poésie brève orientale et les grands poètes occidentaux qui s’inscrivent dans la tradition du « poème-instant » dont la forme la plus connue est le haïku. Le poème bref, comparé tantôt à la photographie tantôt à l’image de l’éclair, est souvent ...
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
Habitar as trevas apresenta um testemunho comovente de Fred Sedel – médico francês, capturado por soldados alemães na periferia de Paris e sobrevivente aos campos de concentração e extermínio nazista situados entre a Polônia e a Alemanha. Neste livro, preciso e honesto, temos a história de um homem sozinho diante das inconcebíveis atrocidades nazistas. Um relato duro, porém essencial, para que os erros do passado não sejam repetidos.
An authoritative study of this postsecular film movement from the French-Belgian border region that rose to prominence at the turn of the twenty-first century. At the 1999 Cannes Film Festival, two movies from northern-Francophone Europe swept almost all the main awards. Rosetta by the Walloon directors Jean-Pierre and Luc Dardenne won the Golden Palm, and L’humanité by the French director Bruno Dumont won the Grand Prize; both won acting awards as well. Taking this “miracle” of Cannes as the point of departure, Niels Niessenidentifies a transregional film movement in the French-Belgian border region—the Cinéma du Nord or “cinema of the North.” He examines this movement within ...