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Life is Beautiful/La Vita E Bella
This romantic, hilarious, and astonishingly moving story, winner of the Grand Jury prize at the 1998 Cannes Film Festival, explores the power of the imagination, set against the stark reality of World War II Europe. The companion screenplay to the Miramax film presents the profound yet tender story that has touched the hearts of so many.
The Divine Comic
Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita è bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni's performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni's statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.
Life is Beautiful
Winner of the Best Picture at the 1998 European Film Awards and the Grand Jury Prize at the 1998 Cannes Film Festival.'A masterpiece. Romantic, hilarious, and astonishingly moving.' Chicago Tribune1939: Guido, an Italian Jew, comes to a Tuscan town in search of his fortune. He meets and is smitten by schoolteacher Dora, a gentile; but she is already engaged, to a local Fascisto. Nevertheless, Dora is wooed and won by Guido's clownish charm. But the shadow of bigotry threatens to fall across their happiness.1945: Guido and Dora are married, with a son, Giosue. For all Guido's sunny disposition, he cannot ignore the fact that anti-Semitism has become iron law, and he and Giosue are sent to a concentration camp. Begging to be sent with them, Dora is instead confined in an adjoining all-female camp. In the darkest of hours, Guido desperately falls back upon his comedic gift, to try to shield his son from the abysmal fate confronting them. His clowning may be their only hope of survival . . .
Pandora's Eyes
An edge-of-your-seat thriller spiced with Milo Manara’s gorgeous erotic sensibility.
Encyclopedia of Italian Literary Studies: A-J
Publisher description
Encyclopedia of Italian Literary Studies
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
A Very Normal Man
A Very Normal Man is the first English translation of Vincenzo Cerami's first and most famous novel, Un borghese piccolo piccolo. The complex word play of the Italian title is untranslatable in English; it means literally a very little, very middle-class man. Little he may be, but Giovanni Vivaldi, to paraphrase Italo Calvino's words, is a victim who is also a monster. This is a revenge story whose protagonist tortures his enemy with the same attention to detail he'd apply to the files he's slogged over for half a lifetime in the office for pensions. And with the same detachment. This classic caught the attention of the greatest figures of the day on the Italian literary scene for its unique amalgam of the storyteller's gifts, its expose of society's subterranean forces, and its black (as well as not so dark) humour.
Body Horror and Shapeshifting: A Multidisciplinary Exploration
This volume was first published by Inter-Disciplinary Press in 2014. The body is unveiled, not as a terra incognita, but as terra to be rediscovered. The authors – whose diverse origins echo the multiple media used to convey their ideas – establish a link between bodily metamorphosis and psychological fissures. The body is a locus of paradoxes: deformed, infected, monstrosized or negated but at the same time fascinating, intimate or sensual. Here, readers will open the door of disruption. They will explore the flesh or the inner processes of the body, the idea of its degeneration, even its perception as a gaping wound. The authors in this volume question the very notion of identity as they embark on a journey to reflect on the self. Life itself is a shapeshifting dance we unknowingly join in its myriad of colours and moves.
Life is Beautiful, But Not for Jews
Roberto Benigni's romantic comedy Life is Beautiful enjoyed tremendous success everywhere it was shown. In addition to winning almost every possible film award, including three Oscars, lavish praise and film reviews, it grossed over a quarter of a billion dollars—the most profitable Italian movie ever. Very few have questioned the movie—until now. With sharp, uncompromising logic and eye-opening insight, Niv analyzes the film and its script scene-by-scene to show why Life is Beautiful is very far from being the innocent, charming, and heartwarming film it appears to be. The author argues that the film not only lends support to the central arguments of Holocaust deniers, but is actually a...
The Fantastic in Holocaust Literature and Film
When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).
