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Examines a range of Robert Southey's writing to explore the relationship between Romantic literature and colonial politics during the expansion of Britain's second empire. This study draws upon a range of interdisciplinary materials to consider the impact of his work upon nineteenth-century views of empire.
Presents a study of the political culture of Scotland in the 1790s. This book compares the emergence of 'the people' as a political force, with popular political movements in England and Ireland. It analyses Scottish responses to the French Revolution across the political spectrum; explaining Loyalist as well as Radical opinions and organisations.
The writers known as the English deists were not simply religious controversialists, but agents of reform who contributed to the emergence of modernity. This title claims that these writers advocated a failed ideology which itself declined after 1730. It argues for an evolution of their ideas into a more modern form.
This collection of essays is the result of a major conference focusing specifically on the role of Scotland’s print culture in shaping the literature and politics of the long eighteenth century. In contrast to previous studies, this work treats Blackwood’s Magazine as the culmination of a long tradition rather than a starting point.
Ballooning, like the Enlightenment, was a Europe-wide movement and a massive cultural phenomenon. Lynn argues that in order to understand the importance of science during the age of the Enlightenment and Atlantic revolutions, it is crucial to explain how and why ballooning entered and stayed in the public consciousness.
John Thelwall was a Romantic and Enlightenment polymath. In 1794 he was tried and acquitted of high treason, earning himself the disdainful soubriquet 'acquitted felon' from Secretary of State for War, William Windham. Later, Thelwall's interests turned to poetry and plays, and was a collaborator and confidant of Wordsworth and Coleridge.
The Enlightenment era saw European thinkers increasingly concerned with what it meant to be human. This collection of essays traces the concept of ‘humanity’ through revolutionary politics, feminist biography, portraiture, explorer narratives, libertine and Orientalist fiction, the philosophy of conversation and musicology.
The essays in this volume revalue the work of the Romantic-era Scottish writer John Galt, connecting his methods and goals with Scottish Enlightenment "conjectural" historiography and with later social theorizing. Emphasizing the construction, representation and use of social knowledge, the essays find new meaning in Galt's perceptions of the Atlantic and Mediterranean worlds in which he traveled, his attitudes toward community building and progress, and his innovations in fiction, drama, journalism and biography.
Dialogue was a pivotal genre for the spread of Enlightenment ideas. Focusing on non-canonical British writers Wallbank examines the evolution of dialogue as a genre during the Romantic period.
The premise of Chittick's study is that the national discourse found in British periodical literature of 1802-30 is crucial to an understanding of the literary language of the era.