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Drawing the Greek Vase
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts and of the classical past? This is the first scholarly volume devoted to the exploration of drawings, prints and photographs of Greek vases in modernity, and traces the ways artists have depicted Greek vases in a range of styles and contexts.
Johannes Wiedewelt
In the latter half of the 18th century, Johannes Wiedewelt (1731-1802) played a pivotal role in introducing an early form of Neoclassicism into Danish sculpture by creating a large number of monuments for many different purposes. In the 1750s, he studied in Paris and Rome, where he became part of an international network of pioneering artists and scholars, including J.J. Winckelmann. In Denmark, Wiedewelt endeavored to translate the ancient idiom in statuary and monuments into an 'eternal' national monument style. This volume reassesses Wiedewelt's role in the service of art, art theory, academic education, design, etc. Special emphasis is placed on his studies of Classical Antiquity and Danish prehistoric and medieval monuments, which makes him particularly interesting for the history of archaeology. This is the first book-length study of Johannes Wiedewelt in English.
Gilded Flesh
Egyptian coffins stand out in museum collections for their lively and radiant appearance. As a container of the mummy, coffins played a key role by protecting the body and, at the same time, integrating the deceased in the afterlife. The paramount importance of these objects and their purpose is detected in the ways they changed through time. For more than three thousand years, coffins and tombs had been designed to assure in the most efficient way possible a successful outcome for the difficult transition to the afterlife. This book examines eight non-royal tombs found relatively intact, from the plains of Saqqara to the sacred hills of Thebes. These almost undisturbed burial sites managed ...
Illicit Antiquities
The exploitation of archaeological sites for commercial gain is a serious problem worldwide. In peace and during wartime archaeological sites and cultural institutions, both on land and underwater, are attacked and their contents robbed for sale on an international 'antiquities' market. Objects are excavated without record, smuggled across borders and sold for exorbitant prices in the salesrooms of Europe and North America. In some countries this looting has now reached such a scale as to threaten the very survival of their archaeological and cultural heritage. This volume highlights the deleterious effects of the trade on cultural heritage, but in particular it focuses upon questions of legal and local responses: How can people become involved in the preservation of their past and what, in economic terms, are the costs and benefits? Are international conventions or export restrictions effective in diminishing the volume of the trade and the scale of its associated destruction?
The Tomb of the Priests of Amun
Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty. The volume also examines the arrival of the Lot and its reception in Denmark.
Mouldmade Bowls of the Black Sea Region and Beyond
This book opens up a new window into the Hellenistic world through a close study of mouldmade bowls, their places of production (both in the Black Sea and the Mediterranean), iconographies and distribution. The author’s unique access to material in the Black Sea Region provides the backbone to a rare comparative approach to an important type of vessel that traditionally has been studied in local isolation.
“The” Pottery
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Ancient Art and its Commerce in Early Twentieth-Century Europe
John Marshall (1862-1928) was an antiquities expert hired by the Metropolitan Museum of New York. An attentive observer of the antiquities trade, Marshall's archive, photographs and annotations on more than 1000 objects, shines light on the secretive world of art dealing and how objects arrived at the largest museums of Europe and North America.
