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Secret Agents
When the American Bar Association recreated the trial of Ethel and Julius Rosenberg on the fortieth anniversary of their execution, the jury acquitted the "mock Rosenbergs," finding that in today's courts they would not have been convicted of espionage. The 1950s trial of the Rosenbergs on charges of "Atomic Spying" and "stealing the secrets of the Atomic bomb" was a major event of Cold War America, galvanizing public opinion on all sides of the question. Secret Agents presents essays by lawyers, cultural critics, social historians and historians of science, as well as a reconsideration of the Rosenbergs by their younger son, Robert Meeropol. Secret Agents gives new resonance to a history we have for too long been willing to forget.
Framing History
In this book Virginia Carmichael offers a provocative new interpretation of the Rosenberg story. Carmichael argues that this social drama produced many stories serving multiple interests and functions, many of which confront the politics of both writing and reading. She also demonstrates that this story's resistance to closure-manifest in its repeated tellings in historiography, biography, literature, and the visual and performing arts-suggests its lasting cultural impact on a nation coming to terms with the end of the cold war era.
Mysterious Virginia
Explore the lore of the Old Dominion. From colonial-era witches to modern sightings of Bigfoot, the history of the Old Dominion is filled with creepy tales. Cemeteries, battlefields and inns host haunts from Virginia's earliest days. Some appear as corporeal figures, and some as lights or ghostly noises. Delve into the sad and scary stories of patients who still linger in Victorian-era sanatoriums. Unexplained sightings of mysterious creatures, from Bigfoot to werewolves, are widespread in the western part of the state, and Chessie rears her head in the Bay--for the lucky few! Even prominent buildings like the Executive Mansion in Richmond have their own uncanny legends. Join master storyteller Sherman Carmichael as he tells spooky tales of the Old Dominion.
The King of Diamonds
The thrilling story of a brazen, uncatchable jewel thief who roamed the homes of Dallas high society—and a window into the dark secrets lurking beneath the surface of the Swinging Sixties. As a string of high profile jewel thefts went unsolved, "the King of Diamonds," as he was dubbed by the press, eluded police and the FBI for more than a decade and took advantage of the parties and devil-may-care attitude of the Swinging Sixties. Like Cary Grant in "To Catch a Thief," the King was so bold that he tip-toed into the homes of millionaires while they were watching television, or hosting parties. He hid in their closets. And dared to smoke a cigarette while they were sleeping not far away. Re...
The Last Generation
Challenging the popular conception of Southern youth on the eve of the Civil War as intellectually lazy, violent, and dissipated, Peter S. Carmichael looks closely at the lives of more than one hundred young white men from Virginia's last generation to grow up with the institution of slavery. He finds them deeply engaged in the political, economic, and cultural forces of their time. Age, he concludes, created special concerns for young men who spent their formative years in the 1850s. Before the Civil War, these young men thought long and hard about Virginia's place as a progressive slave society. They vigorously lobbied for disunion despite opposition from their elders, then served as offic...
Imagining Russia
Co-winner of the 2009 SUNY Press Dissertation/First Book Prize in Women's and Gender Studies, Imagining Russia uses U.S.–Russian relations between the fall of the Soviet Union in 1991 and the U.S.-led invasion of Iraq in 2003 as a case study to examine the deployment of gendered, racialized, and heteronormative visual and narrative depictions of Russia and Russians in contemporary narratives of American nationalism and U.S. foreign policy. Through analyses of several key post-Soviet American popular and political texts, including the hit television series The West Wing, Washington D.C.'s International Spy Museum, and the legislative hearings of the Freedom Support Act and the Trafficking Victims Protection Act, Williams calls attention to the production and operation of five types of "gendered Russian imaginaries" that were explicitly used to bolster support for and legitimize U.S. geopolitical unilateralism after the dissolution of the Soviet Union, demonstrating the ways that the masculinization of U.S. military, political, and financial power after 1991 paved the way for the invasion of Iraq in 2003.
