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Hallelujah Time
Hallelujah Time, Virgina Konchan's third full-length poetry collection--and the first to appear in Canada--delivers up poetry that is unlike anything being written today. Specializing in fast-moving monologues that track the vagaries and divagations of a mind in action, Konchan cuts our most hallowed cultural institutions and constructions down to size with surprising turns of language both theatrical and sincere. Hallelujah Time embraces a dazzling mix of idioms, registers, and tones in poems that compress everything they know into aphoristic, hard-boiled insights as arresting as they are witty. "My human desire," Konchan writes, "is simple: / to live on the perpetual cusp / of extremity." Hallelujah Time is a revelation.
Any God Will Do
"There are no machine guns, or cameras, here." Any God Will Do is a collection that investigates the lines between worldliness and asceticism, belief and delusion, chance and design, desire and its transcendence. Internal and end rhyme structure these pithy and compact poems that are rife with classical, pop culture, and poetic allusions. They culminate in an argument that intimacy and creation through language are not only possible within a capitalist framework, but indeed may be the only ballasts we know.
Parturition
None
The End of Spectacle
New Poetry
Bel Canto
Poems that restore primacy to lyric subjectivity, sensibility, paradox, and alterity. Bel Canto is a collection belonging to the post-confessional tradition, whose protean speaker, a fast-talking theorist brimming with hypotheses and maxims, seeks to dismantle various power hierarchies by a dramatic staging of interiority and sensuous rebirth of meaning and desire, in moving, complex, funny, and cutting poems that cannot be reduced to information and exchanged like currency. Suggesting that revolutionary change will be linguistic, or will not be at all, Bel Canto critiques the alienating forces of late capitalism and neoliberal technocracy by restoring primacy to lyric subjectivity, sensibility, paradox, and alterity through a kaleidoscopic array of registers, modes, and idioms ironic and sincere. "What human could stay so quiet?" asks the speaker of "Epistle" "One who is secretly on fire."
The French Exit
Poetry. "What a complex and lovely book this is! Reading Elisa Gabbert's obsessively interior, technically rigorous poems is like listening in on the thoughts of a mind so fiercely observant and subtle that I find in them always some new twist, some surprising layer I hadn't noticed before. By turns moving and witty, sharp-eyed and impressionistic, Gabbert writes with technical sophistication and keen intelligence. This is a terrific book"--Kevin Prufer.
The Poetics of Prophecy
Since the mid-1700s, poets and scholars have been deeply entangled in the project of reinventing prophecy. Moving between literary and biblical studies, this book reveals how Romantic poetry is linked to modern biblical scholarship's development. On the one hand, scholars, intellectuals, and artists discovered models of strong prophecy in biblical texts, shoring up aesthetic and nationalist ideals, while on the other, poets drew upon a counter-tradition of destabilizing, indeterminate, weak prophetic power. Yosefa Raz considers British and German Romanticism alongside their margins, incorporating Hebrew literature written at the turn of the twentieth century in the Russia Empire. Ultimately she explains the weakness of modern poet-prophets not only as a crisis of secularism but also, strikingly, as part of the instability of the biblical text itself. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Requiem
Poems that explore literary and religious depictions of grief to honor the loss of a mother. Requiem is a collection anchored in personal and collective grief, remembrance, and commemoration, journeying through the loss of a mother in a series of elegies, fugues, and lamentations that draw from the Church's canonical hours of prayer as collected in a breviary. Historical and religious mourning rites, and the grief work of John Donne, Gerard Manley Hopkins, Roland Barthes, Emily Dickinson, and Mozart, among others, establish a lyric dialogue around aesthetic representations of grief, invoking a doubleness between the griever and the grieved; a mutuality and interconnectedness that illuminate the role of witness in poetry, mortality, and transcendence. Requiem enacts our deepest longing: to honor and immortalize the beloved.
The Ghost Soldiers
Pulitzer Prize–winning poet James Tate returns with his fifteenth book of poetry, an exciting new collection that offers nearly one hundred fresh and thought-provoking pieces that embody Tate's trademark style and voice: his accessibility, his dark humor, and his exquisite sense of the absurd. Tate's work is stark—he writes in clear, everyday language—yet his seemingly simple and macabre stories are layered with broad and trenchant meaning. His characters are often lost or confused, his settings bizarre, his scenarios brilliantly surreal. Opaque, inscrutable people float through a dreamlike world where nothing is as it seems. The Ghost Soldiers offers resounding proof, once again, that Tate stands alone in American poetry.
Made to Break
* One of the best books of 2014 —Flavorwire, Entropy Magazine Two days before New Years, a pack of five friends—three men and two women—head to a remote cabin near Lake Tahoe to celebrate the holidays. They’ve been buddies forever, banded together by scrapes and squalor, their relationships defined by these wild times. After a car accident leaves one friend sick and dying, and severe weather traps them at the cabin, there is nowhere to go, forcing them to finally and ultimately take stock and confront their past transgressions, considering what they mean to one another and themselves. With some of the most luminous and purple prose flexed in recent memory, D. Foy is an incendiary new voice and Made to Break, a grand, episodic debut, redolent of the stark conscience of Denis Johnson and the spellbinding vision of Roberto Bolaño. "Made to Break, D. Foy’s debut novel, snaps. Literary, cinematic... [Foy] is a writing school of one, and Made to Break ushers his literary energies into categorical existence." —The Daily Beast
