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This book inaugurates a series of volumes that will present the results of more than twenty years of research by a team of American and Yugoslav scholars at Stobi, an ancient city of northern Macedonia. The research was multidisciplinary, and methodological innovations augmented more traditional methodologies of archaeological, historical, and art historical research. The series illuminates numerous aspects of urban life at Stobi, which spanned some nine centuries, from the early Hellenistic period until the end of the sixth century A.D. This first volume of the series is also the first comprehensive study of Hellenistic and Roman pottery in Macedonia. Its detailed presentation of the types ...
Includes appendices.
The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This publication which focuses on Ancient Glass and is the third volume in a series aimed at publishing the collection in its entirety. This catalogue contains descriptions and illustrations of 520 glass vessels and objects. Although the majority of the glass is Roman, the scope of the collection extends from the Late Bronze Age through the end of antiquity (ca. 1500 B.C.– A.D. 600). It is the first attempt in over a century to provide a detailed account of the ancient glass found on Cyprus by Cesnola.
Reliance on essentialist or syncretistic models of cultural dynamics has limited past evaluations of ancient Jewish populations. This reexamination of evidence for Jews of North Africa offers an alternative approach. Drawing from methods developed in cultural studies and historical linguistics, this book replaces traditional categories used to examine evidence for early Jewish populations and demonstrates how direct comparison of Jewish material evidence with that of its neighbors allows for a reassessment of what the category of “Jewish” might have meant in different North African locations and periods and, by extension, elsewhere in the Mediterranean. The result is a transformed analysis of Jewish cultural identity that both emphasizes its indebtedness to larger regional contexts and allows for a more informed and complex understanding of Jewish cultural distinctiveness.
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Many archaeologists, as primarily social scientists, do not have a background in the natural sciences. This can pose a problem because they need to obtain chemical and physical analyses on samples to perform their research. This manual is an essential source of information for those students without a background in science, but also a comprehensive overview that those with some understanding of archaeological science will find useful. The manual provides readers with the knowledge to use archaeological science methods to the best advantage. It describes and explains the analytical techniques in a manner that the average archaeologist can understand, and outlines clearly the requirements, ben...
Pindar's metaphor of the Isthmus as a bridge spanning two seas encapsulates the essence of the place and gives a fitting title for this volume of 17 essays on the history and archaeology of the area. The Isthmus, best known for the panhellenic Sanctuary of Poseidon, attracted travelers both before and after Pausanias's visit in the 2nd century A.D., but only toward the end of the 19th century were the ruins investigated and, a half century later, finally systematically excavated. More recently, archaeologists have surveyed the territory beyond the sanctuary, compiling evidence for a varied picture of activity on the wider Isthmus and the eastern Corinthia. The essays in this book celebrate 5...
This volume explores works from Latin American literary and visual culture that question what it means to be human and examine the ways humans and nonhumans shape one another. In doing so, it provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman. Contributors identify posthumanist themes across a range of different materials, including an anecdote about a plague of rabbits in Historia de las Indias by Spanish historian Bartolomé de las Casas, photography depicting desert landscapes at the site of Brazil’s War of Canudos, and digital and installation art portraying victims of state-sponsored and drug violence in Colombia an...