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Our Compelling Interests
CHAPTER 6. Diversity and Institutional Life: Levels and Objects -- CAHPTER 7. Diversity as a Strategic Advantage: A Sociodemographic Perspective -- Notes -- Index
Artificial Hells
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance t...
A Poetry of Things
A Poetry of Things considers how cultural objects were used by poets in the years around 1600 - a time of social and economic crisis, but also of remarkable artistic and literary production.
Atlas of Transformation
Atlas of Transformation, with almost 900 pages, is a sort of global guidebook of transformation processes. With structured entries, its goal is to create a tool for the intellectual grasping of the processes of social and political change in countries that call themselves 'countries of transformation' (or are described by this term). The Atlas of Transformation contains more than 200 'entries' and key terms of transformation. Several dozen authors from the whole world contributed to this book and also some influential period texts are republished here. This is the seventh volume of the Tranzit series edited by V t Havr nek and focusing on Central and Eastern European artists.
Beyond the Balkans
This book shows how current and future research on the social history of the Balkans can be integrated into a broader European framework. The contributions look at a range of methodological and empirical issues, and the theme that links the various studies is that of the contrasting, yet, at the same time, entangled ideas of the Balkans as a "mental map" and of Southeast Europe as an "historical region." (Series: Studies on South East Europe - Vol. 10)
The Autobiographical Turn in Germanophone Documentary and Experimental Film
The essays in this volume examine the parameters shaping the audiovisual self in the Germanophone cultural context across a variety of practices and aesthetic modes, from contemporary artists including Hito Steyerl, Ming Wong, and kate hers to Rolf Dieter Brinkmann's multimedia experiments of the 1970s, and from Helke Misselwitz's challenges to the documentary tradition in the GDR to Peter Liechti's investigations of Swiss ambivalence toward the nation's iconic landscape. The volume thus takes up a number of historically and geographically specific iterations of autobiographical discourse that in each case remain contingent on the space and time in which they are uttered.
Dark Lens
"This book draws on literature, painting, and a never-before-seen cache of photographs to explore the representation of catastrophe and the targeting of civilians in war. Focusing on images of Nazi Germany's bombed-out cities, the author connects the fraught aesthetics of ruins with the problem of how to acknowledge German suffering."--Provided by publisher.
Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe
This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography. Contributors argue that this multiplicity is a defining feature of the region. At the same time, chapters employ the concept of “plural geographies” and call for an equal geography, based on solidarity and an equal distribution of capital, which could allow plural geographies to exist and be described. The “multiple geographies” of ECE consider the perspective of local conditions and emphasize how this region was part of successive empires with an important ethnic diversity and changing borders, giving it historical layers and multicultural characteristics. The book will be of interest to scholars working in art history, political studies, cultural studies, and geography.
Other Than Yourself
Albert Einstein once said, "A human being is part of a whole, called by us the 'Universe, ' a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest-a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty." Taking as its point of departure the paradoxical nature of the self, this volume features substantial essays on and supporting images by such provocative international artists as Janet Cardiff, Maurizio Cattelan, Emanuel Danesch and David Rych, Mario García Torres, Amos Gitai, Jenny Holzer, Dennis Hopper, Jonathan Horowitz, Sanja Ivekovic, Amar Kanwar, David Lamelas, Ján Mancuska, Paul McCarthy, Boris Ondreicka, Sergio Prego, Pipilotti Rist, Hans Schabus, Cindy Sherman, Roman Signer, Monika Sosnowska, Salla Tykkä and Slaven Tolj.
ARTPOOL - The Experimental Art Archive of East-Central Europe
This volume is a collection of texts and documents selected from and illustrating the history of Artpool, a non-profit artist run institution in Budapest, established in 1979 by György Galántai and Júlia Klaniczay and operating since 1992 under the name of Artpool Art Research Center. The book focuses on Artpool’s direct antecedents (among them the events at György Galántai's Chapel Studio in Balatonboglár, 1970–1973), on the foundation, development, art projects and events, as well as the preferences and issues pertaining to art research (not independent of the historical and social environment they were conceived in) that had formed throughout the course of many years and decades...
