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The Art of Objects explores the experimental encounter of arts and industry in Italy at the turn of the 20th century, tracing the origins of the Italian culture of design in the social and aesthetic construction of the age's most iconic industrial objects.
A collection of essays comparing key aspects of Nazi Germany and Fascist Italy.
Contradicts the current orthodoxy that there was a generalised popular consensus for the fascist regime and for Mussolini's rule, at least until the disasters of the Second World War. Demonstrates that there was widespread and mounting hostility to the regime among large sections of the population, even in the 1930s.
Why were many Italian Fascist crimes left unpunished after the Second World War? Why were many Italian partisans imprisoned during that period? How easy was it for Italian Jews that had survived the holocaust to return to normal life in a country that had previously ostracised them? How do we account for widespread and prolonged violence after the Liberation of Italy? How were Italian communities and families transformed by the experiences of Fascism, war and the return to democracy? This volume addresses all of these questions, and many others. Written mostly by Italian scholars, the book provides the English reader with an opportunity to witness a high standard of contemporary research into one of the most dramatic periods of Italian history.
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Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
This book explores the early globalization of prostitution from the perspective of the Italian case. It is a story of prostitution, migration, and work, built through analyses of primary sources (the Italian archive of International Police) and covering a wide chronological period, from the end of the nineteenth century through the Second World War. It is the story of Giuseppa, Virginia, and many others who embarked from Italian ports in the 1890s to work in brothels in Egypt, Libya, and Malta, but also that of Marguerite, one of the numerous foreign prostitutes working in Italy in the 1930s. It is the story of Mariella, forced by her husband Beniamino to work as a prostitute in the United S...
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