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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
The first comprehensive examination of autobiographical prison literature from Italy. Writings from prison by more than three dozen Italian political figures and intellectuals cover periods from the Italian Renaissance to the 1970's.
By examining the links between the planet Mars and the cross in the Heaven of the Warriors, Jeffrey Schnapp explores Dante's Christian rewriting of Virgil's Aeneid and Cicero's Republic at the center of the Comedy's, final canticle. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
An illuminating work revealing the long history of xenophobia—and what it means for today’s divided world Over the last few years, it has been impossible to ignore the steady resurgence of xenophobia. The European migrant crisis and immigration from Central America to the United States have placed Western advocates of globalization on the defensive, and a “New Xenophobia” seems to have emerged out of nowhere. In this fascinating study, George Makari traces the history of xenophobia from its origins to the present day. Often perceived as an ancient word for a timeless problem, “xenophobia” was in fact coined only a century ago, tied to heated and formative Western debates over nationalism, globalization, race, and immigration. From Richard Wright to Sigmund Freud, Jean-Paul Sartre, and Simone de Beauvoir, writers and thinkers have long grappled with this most dangerous of phobias. Drawing on their work, Makari demonstrates how we can better understand the problem that is so crucial to our troubled times.
Alessandra Tarquini’s A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini’s compact, clear prose to readers previously unable to read it in the original Italian. Tarquini sketches the universe of Italian fascism in three broad directions: the regime’s cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural polic...
Dante Alighieri cited the Bible extensively in his Commedia, but also used his epic poem to meditate on the meaning of the Scriptures as a 'true' text. The Biblical Dante provides close readings of passages from the Commedia to explore how Dante's concept of Biblical truth differs sharply from modern notions. V. Stanley Benfell examines Dante's argument that the truth of the sacred text could only be revealed when engaged with in a transformative manner - and that a lack of such encounters in his time had led to a rise in greed and corruption, notably within the Church. He also illustrates how the poet put forth a vision for the restoration of a just society using Biblical language and imagery, revealing ideas of both earthly and eternal happiness. The Biblical Dante provides an insightful analysis of attitudes towards both the Bible and how it was read in the Medieval period.
Journal IV is the first publication, in a translation from the Romanian manuscript, of the journal that Mircea Eliade kept during the last seven years of his life. In this period, Eliade is ensconced as a famous scholar—his works are being translated into many languages and books about him arrive regularly in the mail. His encounters with scholars of like repute are recorded in the journal; after a party in Paris, Eliade shares a taxi with Claude Lévi-Strauss and inadvertently makes off with his raincoat. Running like a fault line through the peak of his success, however, is Eliade's painful awareness of his physical decline—failing vision, arthritic hands, and continual fatigue. Again ...
This book takes as its starting point a striking paradox: that the antique tradition of the art of memory -- created by an oral culture -- reached its moment of greatest diffusion during an age that saw the birth of the printed book.
Offers an analysis of the presence and significance of female characters in Dante's 'Comedy'. Commencing with the tabulations of women listed in "Inferno IV" and "Purgatorio XXII", to which may be added the grouping in "Paradiso XXXII", this work traces the symmetry and symbolic import of these clusters.
This essay newly interprets the rise of the individual within the Italian peninsula between 1180 and 1300. It follows the historical events and the cultural products that define the period keeping in mind that the creators were conscious of a tangible, real Christ in their midst. For it is the time when Jesus was known to be in the Eucharist as a carnal potentiality, as well as a time when Europeans on Crusade had reached his temporal abode. As Christ as neighbor became a consistent idea, the relationship towards that idea became one of accommodation, making subsequent worship a form of individualism. The later Renaissance was as much a specific reaction to a particular understanding of Christology within the cultural sphere as it was a reawakening of Classical ideals through a new paradigm of European selfhood outside of Christianity. Understood in this way, the Incarnation helped to produce an action based Christianity amenable to the needs of the Roman Church. The later insistence upon text and notions of personal conscience that identifies the Reformation, can now be seen as a true end to the Renaissance Christian praxis which began with the excitement over Christ among them.