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“Biting and beautiful.” — Jonny Sun, author of everyone’s a aliebn when ur a aliebn too Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm. Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.
Named a Best Book by: The Globe and Mail, Indigo, Out Magazine, Audible, CBC, Apple, Quill & Quire, Kirkus Reviews, Brooklyn Public Library, Writers’ Trust of Canada, Autostraddle, Bitch, and BookRiot. Finalist for the 2019 Lambda Literary Award, Transgender Nonfiction Nominated for the 2019 Forest of Reading Evergreen Award Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Non-Fiction "Cultural rocket fuel." --Vanity Fair "Emotional and painful but also layered with humour, I'm Afraid of Men will widen your lens on gender and challenge you to do better. This challenge is a necessary one--one we must all take up. It is a gift to dive into Vivek's heart and mi...
*FINALIST FOR THE CITY OF CALGARY W.O. MITCHELL BOOK PRIZE* “A deeply generous and honest gift to the world.” —Elliot Page The author of I’m Afraid of Men lets readers in on the secrets to a life of reinvention. Vivek Shraya knows this to be true: people change. We change our haircuts and our outfits and our minds. We change names, titles, labels. We attempt to blend in or to stand out. We outgrow relationships, we abandon dreams for new ones, we start fresh. We seize control of our stories. We make resolutions. In fact, nobody knows this better than Vivek, who’s made a career of embracing many roles: artist, performer, musician, writer, model, teacher. In People Change, she reflects on the origins of this impulse, tracing it to childhood influences from Hinduism to Madonna. What emerges is a meditation on change itself: why we fear it, why we’re drawn to it, what motivates us to change, and what traps us in place. At a time when we’re especially contemplating who we want to be, this slim and stylish handbook is an essential companion—a guide to celebrating our many selves and the inspiration to discover who we’ll become next.
In this beautiful children’s picture book by Vivek Shraya, author of the acclaimed God Loves Hair, a five-year-old South Asian boy becomes fascinated with his mother’s bindi, the red dot commonly worn by Hindu women to indicate the point at which creation begins, and wishes to have one of his own. Rather than chastise her son, she agrees to it, and teaches him about its cultural significance, allowing the boy to discover the magic of the bindi, which in turn gives him permission to be more fully himself. Beautifully illustrated by Rajni Perera, The Boy & the Bindi is a joyful celebration of gender and cultural difference. Ages 3 to 6. Vivek Shraya is a performer, musician, and filmmaker,...
"During my first post-lockdown massage, I willingly engaged in the requisite chit chat about lockdown experiences with my therapist. He gushed behind his mask: ‘Oh man. It was so great. Every day I woke up, drank coffee, read, rode my bike...’ My therapist’s description did sound pretty great. But it was nothing like my own anxiety-ridden ordeal... Had I done the lockdown wrong?” In Next Time There’s a Pandemic, artist Vivek Shraya reflects on how she might have approached 2020 and the COVID-19 pandemic differently, and how challenging and changing pervasive expressions, attitudes, and behaviours might transform our experiences of life in—and after—the pandemic. What might happen if, rather than urging one another to “stay safe,” we focused instead on being caring? What if, instead of striving to “make the best of it” by doing something, we sometimes chose to do nothing? With generosity, Shraya captures the dissonances of this moment, urging us to keep showing up for each other so we are better prepared for the next time...and for all times.
In the fall of 2017, the acclaimed writer and musician Vivek Shraya began receiving vivid and disturbing transphobic hate mail from a stranger. Acclaimed artist Ness Lee brings these letters and Shraya’s responses to them to startling life in Death Threat, a comic book that, by its existence, becomes a compelling act of resistance. Using satire and surrealism, Death Threat is an unflinching portrayal of violent harassment from the perspective of both the perpetrator and the target, illustrating the dangers of online accessibility, and the ease with which vitriolic hatred can be spread digitally.
The first play by multi-media artist Vivek Shraya, about fame and personal transformation.
A poetry book by the author of God Loves Hair: a bold and timely interrogation of skin.
In 2010, Vivek Shraya self-published God Loves Hair, her first book; in the ten years since, Vivek has published six more titles including a novel, poetry collection, graphic novel, and children’s picture book, while also working as an artist, musician, and academic. God Loves Hair is a collection of short stories that follows a tender, intelligent, and curious child as they navigate the complex realms of gender creativity, queerness, brownness, religion, and belonging. This tenth-anniversary edition includes a foreword by award-winning YA writer Cherie Dimaline (The Marrow Thieves), as well as additional a new preface, story, and illustrations. Told with the poignant insight and honesty t...
Winner, Trillium Book Award In Téa Mutonji’s disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides on shaving her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator’s experience as an involuntary one. Tinged with pathos and humor, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed. Shut Up You’re Pretty is...